JC

Jarvis Cocker

167quotes

Jarvis Cocker: A Biography


Full Name and Common Aliases

Full Name: Jarvis Branson Cocker
Common Aliases: Jarv, The Jarv

Birth and Death Dates

Date of Birth: September 19, 1963
Date of Death: N/A

Nationality and Profession(s)

Nationality: British
Profession(s): Musician, Singer-Songwriter, Radio Presenter, Author

Early Life and Background

Jarvis Branson Cocker was born on September 19, 1963, in Sheffield, England. Raised in a working-class family, Cocker's early life was marked by the absence of his father, who left the family when Jarvis was just seven years old. This experience of growing up in a single-parent household in the industrial city of Sheffield would later influence his songwriting, imbuing it with themes of class and social observation.

Cocker attended The City School in Sheffield, where he first developed an interest in music. Inspired by the burgeoning punk rock scene, he formed his first band, Arabacus Pulp, at the age of 15. The band, which would later be known simply as Pulp, became a central part of his life and career. Cocker's early exposure to the arts was further enriched by his studies at Central Saint Martins College of Art and Design in London, where he honed his creative skills and developed a distinctive artistic vision.

Major Accomplishments

Jarvis Cocker's major accomplishments are most prominently tied to his role as the frontman of the band Pulp. Under his leadership, Pulp became one of the defining bands of the Britpop movement in the 1990s. The band's breakthrough album, "His 'n' Hers," released in 1994, catapulted them to fame, but it was their 1995 album, "Different Class," that solidified their status as icons of British music. The album won the prestigious Mercury Music Prize and featured the hit single "Common People," which became an anthem of the era.

Beyond his success with Pulp, Cocker has also enjoyed a successful solo career. His debut solo album, "Jarvis," released in 2006, was well-received by critics and fans alike. In addition to his music career, Cocker has made significant contributions to the arts as a radio presenter, hosting the BBC Radio 6 Music show "Jarvis Cocker's Sunday Service," where he shares his eclectic taste in music and engages in thoughtful commentary.

Notable Works or Actions

Jarvis Cocker is best known for his work with Pulp, particularly the albums "His 'n' Hers" and "Different Class." The latter includes the iconic track "Common People," which critiques class disparity and remains one of the most celebrated songs of the Britpop era. Another notable work is the album "This Is Hardcore," released in 1998, which showcased a darker, more introspective side of Cocker's songwriting.

Cocker's actions have also made headlines, most famously his stage invasion during Michael Jackson's performance at the 1996 BRIT Awards. This act of protest against what he perceived as Jackson's messianic imagery was both controversial and emblematic of Cocker's willingness to challenge the status quo.

Impact and Legacy

Jarvis Cocker's impact on music and culture is profound. As a leading figure of the Britpop movement, he helped shape the sound and style of 1990s British music. His lyrics, often characterized by their wit and social commentary, have resonated with audiences for their relatability and insight into the human condition.

Cocker's influence extends beyond music; his work as a radio presenter and author has further cemented his status as a cultural icon. His ability to articulate complex social issues with humor and intelligence has made him a respected voice in the arts.

Why They Are Widely Quoted or Remembered

Jarvis Cocker is widely quoted and remembered for his sharp wit, insightful observations, and his ability to capture the zeitgeist of his time. His lyrics often explore themes of class, identity, and the mundane aspects of everyday life, making them both timeless and universally relatable. Cocker's unique perspective and eloquent expression have made him a source of inspiration and reflection for many.

His memorable quotes, whether from interviews, lyrics, or public appearances, continue to resonate with audiences, offering a blend of humor, critique, and wisdom. As a result, Jarvis Cocker remains a beloved and influential figure in the world of music and beyond.

Quotes by Jarvis Cocker

Jarvis Cocker's insights on:

The good thing about people really is their iffy-ness and dodginess, isn't it?
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The good thing about people really is their iffy-ness and dodginess, isn't it?
To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song. I guess it was just because I was really into music as a child, and I wanted it to say more. It was the thing, wasn't it? And now it isn't.
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To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song. I guess it was just because I was really into music as a child, and I wanted it to say more. It was the thing, wasn't it? And now it isn't.
Don’t think that the things around you don’t count, because they do.
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Don’t think that the things around you don’t count, because they do.
I always feel like there are specific things about Houston. There’s one museum in particular in Houston. So many of the things that I’m interested in now I can sort of trace back to that museum, which introduced me to them.
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I always feel like there are specific things about Houston. There’s one museum in particular in Houston. So many of the things that I’m interested in now I can sort of trace back to that museum, which introduced me to them.
The most entertaining songs don’t always come from a nice place. In songs where I think I’m being really sensitive, they seem quite boring actually. I’ve found that the songs that come out of nastier, more misanthropic places are better.
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The most entertaining songs don’t always come from a nice place. In songs where I think I’m being really sensitive, they seem quite boring actually. I’ve found that the songs that come out of nastier, more misanthropic places are better.
I got a pair of red, synthetic satin women’s pants through the post the other day with a phone number on. That was quite strange. I haven’t tried the phone number. In times of stress I may.
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I got a pair of red, synthetic satin women’s pants through the post the other day with a phone number on. That was quite strange. I haven’t tried the phone number. In times of stress I may.
I guess I’m fairly insistent and maybe consistent. If I decide I’ll do something, I generally will.
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I guess I’m fairly insistent and maybe consistent. If I decide I’ll do something, I generally will.
Well, once you’ve resigned yourself to the fact that you are the more mature pop performer and you’re past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I’ll do it, you know.
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Well, once you’ve resigned yourself to the fact that you are the more mature pop performer and you’re past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I’ll do it, you know.
I’m always nervous when I perform anyway.
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I’m always nervous when I perform anyway.
For TV you also get those pre-interviews when researchers ask you what you’re going to say. The pre-interview drives me insane. If they’ve already decided the outcome, why don’t I just hand in an essay? Maybe if we talk we’ll find something out. I’d rather just have an awkward pause.
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For TV you also get those pre-interviews when researchers ask you what you’re going to say. The pre-interview drives me insane. If they’ve already decided the outcome, why don’t I just hand in an essay? Maybe if we talk we’ll find something out. I’d rather just have an awkward pause.
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