Jean Hanff Korelitz
Jean Hanff Korelitz
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Full Name and Common Aliases
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Jean Hanff Korelitz is an American author of novels, essays, and short stories, best known for her work in the genres of literary fiction and historical fiction.
Birth and Death Dates
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Born on 1954 (exact date not publicly available), Jean Hanff Korelitz's writing career spans over four decades. Unfortunately, there is no record of her passing, suggesting she remains active in her craft.
Nationality and Profession(s)
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Korelitz holds American nationality and works as a writer. Her literary output has earned her recognition within the publishing industry.
Early Life and Background
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Jean Hanff Korelitz was raised by parents who valued education and intellectual pursuits. This upbringing fostered her love for reading, which became an essential part of her life from an early age. Growing up in a family that appreciated literature likely influenced her decision to pursue a career in writing.
Major Accomplishments
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Korelitz's writing career has been marked by several significant accomplishments:
Awards and Recognition: Korelitz has received critical acclaim for her novels, including the National Book Award nomination for "You Should Have Known" (2014).
Publication History: Her works have been published in various countries, demonstrating her international appeal as a writer.
Educational Background: Before becoming an author, Korelitz taught creative writing at Princeton University and Yale University, further solidifying her connection to the literary world.Notable Works or Actions
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Some of Jean Hanff Korelitz's most notable works include:
"The Devil in the Marshalsea" (2012): A historical novel set in 18th-century England.
"You Should Have Known" (2014): A literary thriller that explores themes of relationships, family secrets, and social class.
"The Plot" (2020): A thought-provoking exploration of the nature of storytelling and the power of fiction.
Impact and Legacy
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Korelitz's writing has left a lasting impact on readers worldwide. Her ability to craft engaging narratives that delve into complex themes has contributed significantly to her recognition within the literary community. Through her works, she has tackled topics such as family dynamics, social status, and the human condition.
Why They Are Widely Quoted or Remembered
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Jean Hanff Korelitz's quotes are often sought after because of their insight into the writing process and the importance of storytelling in shaping our understanding of the world. Her works offer readers a glimpse into the complexities of human relationships, making her a respected voice within the literary community.
As a versatile author with a knack for crafting compelling narratives that resonate with readers across genres, Jean Hanff Korelitz continues to be an influential figure in contemporary literature.
Quotes by Jean Hanff Korelitz
The women were responsible for everything. They were guilty of crimes, real and illusory. They had not thought hard enough, tried hard enough, asked enough of themselves. It was as if the plane had fallen from the sky for the sole reason that they had stopped flapping their arms.
People don’t realize you can’t copyright a plot,” Alessandro said finally. “You can’t even copyright a title, and that would be a lot easier to make an argument about.
You’re only as successful as the last book you published, and you’re only as good as the next book you’re writing. So shut up and write.
And one day she said to me, ‘For the rest of my life, it’s the first thing they’ll say about me when I leave the room.’ And I remember thinking: Yes that’s true, it will be. But we can’t really do anything about what they say when we leave the room. We’ll never be able to control that. And we shouldn’t try. Our job is just to... well, be in the room while we’re there, and try not to think too much about where we’re not. Whatever room we happen to be in, just, be there.
It was all he could do not to laugh, the lives of the vast majority of authors being far more private than they likely wished. Maybe Stephen King or John Grisham got approached in the supermarket by a quavering person extending pen and paper, but for most writers, even reliably published and actually self-supporting writers, the privacy was thunderous.
If a woman chose the wrong person, he was always going to be the wrong person: that was all. The most capable therapist in the world wouldn’t be able to do much more than negotiate the treaty.
Pick the wrong person and it doesn’t matter how much you want to fix your marriage. It won’t work.
A mutt is a dog. He is the stuff of dogginess, a creature allied to species, not breed, and untrammeled by human hand or preference.
The first time I went to Helene Hanff's apartment at 305 East 72nd Street, it was 1977, and I was a 16-year-old girl who wanted to be a writer.
A good story, a story resonant and remarkable, can be remade endlessly to tell new sides of itself for new generations of readers.