Jean-Pierre Jeunet
Full Name and Common Aliases
Jean-Pierre Jeunet is a French film director, screenwriter, and producer. He is commonly known by his first name, Jean-Pierre.
Birth and Death Dates
Born on September 18, 1953, in Le Chesne, France. Unfortunately, there is no record of his passing.
Nationality and Profession(s)
Nationality: French
Profession: Film Director, Screenwriter, Producer
Early Life and Background
Jeunet grew up in a family that encouraged creativity. He was fascinated by film from an early age and began making short films as a teenager. After completing high school, he moved to Paris to pursue a career in filmmaking.
In the 1970s, Jeunet worked as a production assistant on several French films before starting his own production company, 'Les Films de la Marche'. This marked the beginning of his journey towards becoming one of France's most acclaimed filmmakers.
Major Accomplishments
Jean-Pierre Jeunet is renowned for his visually stunning and often whimsical approach to filmmaking. Some of his notable accomplishments include:
Amélie (2001): A romantic comedy that earned him an Academy Award nomination for Best Foreign Language Film.
A Very Long Engagement (2004): An epic romance set during World War I, which premiered at the Cannes Film Festival and received critical acclaim.
Delicatessen (1991): A dark comedy-drama that showcased Jeunet's unique blend of humor and satire.Notable Works or Actions
Throughout his career, Jeunet has demonstrated a willingness to experiment with different genres and styles. Some notable works include:
Micmacs (2009): An adventure-comedy film set in the French countryside.
* Cyrano de Bergerac (1990): A musical drama based on Edmond Rostand's classic play.
Impact and Legacy
Jean-Pierre Jeunet has left an indelible mark on world cinema. His innovative approach to storytelling has inspired a new generation of filmmakers. His commitment to exploring the human condition through film has earned him a devoted following worldwide.
Why They Are Widely Quoted or Remembered
Jeunet's films are remembered for their intricate details, vibrant colors, and poetic storytelling. His ability to evoke emotions in audiences has made him a master of his craft.
Quotes by Jean-Pierre Jeunet
I hate to lose time on the set. On the set, you have to go at a good pace, because the clock is your master. For that reason, I have to know exactly what I’m trying to get beforehand.
When critics love your film, you love critics. When they hate your film, you hate critics. It’s the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
I’ve never made any concessions, so I am 100% responsible for my films. This makes me feel very proud.
I write scripts by myself. It’s not for everybody. It’s someone’s personal work. I need to be in love with the subject.
I think we’re entering a new period of filmmaking that’s analogous to switching from black-and-white to color, or from silent to sound. The medium is completely flexible, and it’s not bound by anything. If you imagine something, you can do it.
When you speak about generosity, about something good we have inside ourselves, you’re speaking to the majority.
If you make the right choice in casting, your work is nearly done already. You don’t have to spend a lot of time directing the actors, because they’re so well suited to the parts.
I’m very slow, and I do everything myself. I remember I spent three days to change the size of something I had sketched because I felt it was too small.
It’s always been pretty easy for me to exercise my imagination. The other part of the brain, the one that does mathematics, is a nightmare for me. It doesn’t work at all.