JM
Jill McCorkle
39quotes
Jill McCorkle
Full Name and Common Aliases
Jill McCorkle is a prominent American novelist, short story writer, and professor.
Birth and Death Dates
Born on December 7, 1958, in Fayetteville, North Carolina.
Nationality and Profession(s)
American novelist, short story writer, and professor of English.
Early Life and Background
Growing up in the small town of Hope Mills, North Carolina, Jill McCorkle was the youngest of five children. Her early life was marked by a strong sense of community and family values, which would later influence her writing style. She developed an interest in literature at an early age and began writing short stories while attending high school.
Major Accomplishments
McCorkle's writing career spans over three decades, with numerous awards and nominations to her name. Some of her notable accomplishments include:
Her debut novel, _January 1945_, was published in 1992.
She received the PEN/Hemingway Award for Fiction in 1993 for her short story collection, _February 1976_.
Notable Works or Actions
Jill McCorkle's writing often explores themes of relationships, family dynamics, and small-town life. Some of her notable works include:
_Ferris Beach_ (1988) - a novel about the complex relationships between five friends.
_March_ (2003) - a novel that delves into the lives of two women connected by a tragedy.
Impact and Legacy
Jill McCorkle's writing has had a significant impact on American literature. Her stories often capture the nuances of human relationships, making her a beloved author among readers. As a professor of English, she has also played an important role in shaping the literary landscape by mentoring aspiring writers.
Why They Are Widely Quoted or Remembered
Jill McCorkle's ability to craft relatable characters and narratives that explore the intricacies of human relationships has made her a widely quoted and remembered author. Her writing often resonates with readers, making her a staple in contemporary American literature.
Quotes by Jill McCorkle
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We live days and weeks and months and years with so little awareness of life. We wait for the bad things that wake us up and shock our systems. But every now and then, on the most average day, it occurs to you that this is it. This is all there is.
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She tried to teach her children to be positive – to dream but to also do it with their feet on the ground. If you let loose that balloon, you will lose sight of it, she said. The best way to enjoy it is to hold tight to the string and plant your feet on a good solid path.
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If a nuclear disaster occurred, and you had to live out those final painful days just stretched out somewhere thinking about your life – This is who I am. This is what I love. This is what I believe – who would you want hearing your whispers? Or perhaps better: Who do you trust to hear your whispers? Whose breath do you want mingled with your own? Whose flesh still warm beside you?
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When she doesn’t want to think about something sad or hurtful, she does what she instructed her own children and those she taught to do: Close your eyes and go somewhere safe and good. Picture something good.
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For me, a happy ending is not everything works out just right and there is a big bow, it’s more coming to a place where a person has a clear vision of his or her own life in a way that enables them to kind of throw down their crutches and walk.
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I think that marriage vows should include an escape clause that says the contract is broken if one party ups and makes a big switch in religion or politics or aesthetic taste. I mean, these shifts just aren’t fair, and we need an easier way out.
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The first draft is all about freedom, and if loyalty is in question, it is only my loyalty to the characters and situations on the page. All the worries about where the material may have sprung from or what so-and-so might think can be dealt with later.
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You want to feel that your reader does identify with the characters so that there's a real entry into the story - that some quality speaks to the individual.
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I am very interested in that fine line between fiction and reality and between comedy and tragedy - and pushing the line as much as possible.
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