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Juan Rulfo

43quotes

Juan Rulfo: A Master of Mexican Literature


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Full Name and Common Aliases

Juan Rulfo was a renowned Mexican writer, best known by his full name Juan Benigno Rulfo. He is often referred to as the "master of the short story" due to his exceptional skill in crafting concise yet powerful narratives.

Birth and Death Dates


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Born on May 16, 1917, in Guanajuato, Mexico, Juan Rulfo passed away on January 7, 1986, leaving behind a legacy that continues to captivate readers worldwide.

Nationality and Profession(s)


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A Mexican national by birth, Juan Rulfo was a writer, novelist, short story writer, and photographer. His works often explored the rich cultural heritage of Mexico, delving into themes such as identity, social justice, and the human condition.

Early Life and Background


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Juan Rulfo grew up in a family of modest means in Guanajuato. His early life was marked by hardship and loss, including the death of his mother at a young age. These experiences would later shape his writing style and provide insight into the struggles faced by ordinary Mexicans.

Rulfo's introduction to literature began with the works of Mexican writers such as Alfonso Reyes and María Luisa Puga, who inspired him to explore the world of words. He eventually moved to Mexico City, where he pursued a career in writing while working as a photographer for the magazine _Siete días_.

Major Accomplishments


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Juan Rulfo's most notable works include:

"Pedro Páramo" (1955): A novel that tells the story of an unnamed protagonist searching for his father, set against the backdrop of a fictional town called Comala. The book is considered one of the greatest Mexican novels of all time.
"El Llano en llamas" (1953): A collection of short stories that showcase Rulfo's mastery of the genre.

Notable Works or Actions


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Throughout his career, Juan Rulfo received numerous awards and accolades for his contributions to Mexican literature. Some notable works include:

"La familia": A series of photographs taken by Rulfo during a trip to the state of Jalisco, showcasing the lives of rural families.
"El amor y otros cuentos": A collection of short stories that explore themes such as love, loss, and redemption.

Impact and Legacy


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Juan Rulfo's impact on Mexican literature cannot be overstated. His works have been widely translated and admired by readers around the world, introducing them to the rich cultural heritage of Mexico. His innovative use of language and storytelling style has influenced generations of writers, including Carlos Fuentes, García Márquez, and Laura Esquivel.

Why They Are Widely Quoted or Remembered


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Juan Rulfo's works are widely quoted and remembered for their unique blend of literary craftsmanship and social commentary. His writing often captures the essence of Mexican culture, exploring themes such as identity, social justice, and the human condition. His innovative style has made him a beloved figure in Mexican literature, and his influence continues to be felt today.

By understanding Juan Rulfo's life, works, and legacy, readers can gain a deeper appreciation for the rich cultural heritage of Mexico and the power of literature to capture the human experience.

Quotes by Juan Rulfo

Juan Rulfo's insights on:

Me mataron los murmullos.
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Me mataron los murmullos.
No me ayudaste ni siquiera con esta esperanza.
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No me ayudaste ni siquiera con esta esperanza.
Her eyelashes lay still; her heart was still.
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Her eyelashes lay still; her heart was still.
That town sits on the coals of the earth, at the very mouth of hell. They say that when people from there go to hell, they come back for a blanket.
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That town sits on the coals of the earth, at the very mouth of hell. They say that when people from there go to hell, they come back for a blanket.
This town is filled with echoes. It’s like they were trapped behind the walls, or beneath the cobblestones. When you walk you feel like someone’s behind you, stepping in your footsteps.
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This town is filled with echoes. It’s like they were trapped behind the walls, or beneath the cobblestones. When you walk you feel like someone’s behind you, stepping in your footsteps.
La muerte no se reparte como si fuera un bien.
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La muerte no se reparte como si fuera un bien.
And though there were no children playing, no doves, no blue-shadowed roof tiles, I felt that the town was alive. And that if I heard only silence, it was because I was not accustomed to silence – maybe because my head was still filled with sounds and voices.
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And though there were no children playing, no doves, no blue-shadowed roof tiles, I felt that the town was alive. And that if I heard only silence, it was because I was not accustomed to silence – maybe because my head was still filled with sounds and voices.
Nothing can last forever. There isn’t any memory, no matter how intense, that doesn’t fade out at last.
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Nothing can last forever. There isn’t any memory, no matter how intense, that doesn’t fade out at last.
No one knows better than I do how far heaven is, but I also know all the shortcuts. The secret is to die, when you want to, and not when He proposes. Or else to force Him to take you before your time.
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No one knows better than I do how far heaven is, but I also know all the shortcuts. The secret is to die, when you want to, and not when He proposes. Or else to force Him to take you before your time.
Every author that creates is a liar;literature is a lie,but from that lie, a recreation of reality is born. Therefore, recreating reality is one of the fundaments of creation.
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Every author that creates is a liar;literature is a lie,but from that lie, a recreation of reality is born. Therefore, recreating reality is one of the fundaments of creation.
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