JF

Jules Feiffer

53quotes

Jules Feiffer: A Life of Cartoons, Commentary, and Social Satire


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Full Name and Common Aliases

Jules Feiffer was born on January 29, 1929, in Wilkes-Barre, Pennsylvania. He is commonly known for his work as a cartoonist, writer, and playwright.

Birth and Death Dates

Feiffer's birthdate is January 29, 1929, but unfortunately, we do not have information about his passing date.

Nationality and Profession(s)

Jules Feiffer was an American cartoonist, writer, and playwright. His work spanned several decades and genres, including editorial cartoons, comic strips, satire, and drama.

Early Life and Background

Feiffer grew up in a family that encouraged creativity and intellectual curiosity. His parents, who were both well-read and interested in the arts, instilled in him a love for literature, theater, and politics. Feiffer's early life was marked by a passion for drawing and storytelling, which would eventually become the foundation of his career.

Feiffer attended the High School of Music & Art (now known as Fiorello H. LaGuardia High School of Music & Art and Performing Arts) in Manhattan. After graduating, he went on to study at the Art Students League of New York but dropped out after two years to pursue a career in cartooning.

Major Accomplishments

Feiffer's breakthrough came with his comic strip "Sick, Sentimental, Bad and Beautiful," which was syndicated nationally in 1957. However, it was his subsequent work as the creator of _Carmen Getit_ (1965) that cemented his reputation as a master cartoonist.

Throughout his career, Feiffer has been recognized with numerous awards for his work, including the National Book Award, the Pulitzer Prize Special Citations and Awards, and the National Cartoonists Society's Milton Caniff Lifetime Achievement Award. He was also appointed as a Master of the American Academy of Arts and Letters in 1998.

Notable Works or Actions

Feiffer's notable works include:

_Carmen Getit_ (1965): A comic strip that ran for several years, exploring themes of relationships, identity, and existential crises.
 The Silver Age of Comics: Feiffer was a prominent figure in this era, known for pushing the boundaries of graphic storytelling with his nuanced and often provocative cartoons.
_Feiffer on Nixon*_ (1972): A satirical cartoon collection that captured the public's mood during the Watergate scandal.

Impact and Legacy

Jules Feiffer's impact on American satire and social commentary is undeniable. His work continues to inspire new generations of artists, writers, and thinkers. As a pioneer in graphic storytelling, he has helped shape the medium into what it is today.

Feiffer's legacy extends beyond his own creations; he has influenced countless cartoonists, writers, and filmmakers. His fearless approach to tackling complex issues like politics, relationships, and identity has made him a revered figure in the world of satire.

Why They Are Widely Quoted or Remembered

Jules Feiffer is widely quoted and remembered for his biting wit, insightful commentary on society, and innovative storytelling style. As one of the most celebrated cartoonists and writers of our time, his work continues to captivate audiences with its depth, humor, and relevance.

Feiffer's ability to tackle complex issues through the lens of satire has earned him a special place in American cultural history. His influence can be seen in everything from graphic novels to film, making him an enduring figure in popular culture.

In conclusion, Jules Feiffer is more than just a cartoonist – he is a satirist, a social commentator, and a master storyteller. His work continues to resonate with audiences today, offering a poignant reminder of the power of art to challenge, inspire, and transform us all.

Quotes by Jules Feiffer

Kids are in ongoing need of support, and they get various versions of it from grownups which aren’t legitimate – a grownup’s version of what we think you should have. We tell you what creativity is, and we even tell you what you’re thinking.
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Kids are in ongoing need of support, and they get various versions of it from grownups which aren’t legitimate – a grownup’s version of what we think you should have. We tell you what creativity is, and we even tell you what you’re thinking.
JF
I’ve never met a cartoonist who isn’t quirky or weird in some ways.
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I’ve never met a cartoonist who isn’t quirky or weird in some ways.
JF
I think we overrate experience and what we’ve been through in terms of our success at doing the work we do. There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap.
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I think we overrate experience and what we’ve been through in terms of our success at doing the work we do. There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap.
JF
When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what’s going on.
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When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what’s going on.
JF
Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you’re controlling the work, it’s not going to be very good, or it won’t be as good as it should be.
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Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you’re controlling the work, it’s not going to be very good, or it won’t be as good as it should be.
JF
Writing, I explained, was mainly an attempt to out-argue one’s past; to present events in such a light that battles lost in life were either won on paper or held to a draw.
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Writing, I explained, was mainly an attempt to out-argue one’s past; to present events in such a light that battles lost in life were either won on paper or held to a draw.
JF
I’m well beyond dyslexic: I have no sense of direction; I never know where I am.
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I’m well beyond dyslexic: I have no sense of direction; I never know where I am.
JF
Satire doesn’t stand a chance against reality anymore.
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Satire doesn’t stand a chance against reality anymore.
JF
There’s no rap against comics that isn’t true. They were sexist, they were racist, you name it – and they kind of gloried in that.
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There’s no rap against comics that isn’t true. They were sexist, they were racist, you name it – and they kind of gloried in that.
JF
Eventually, if it’s on your mind, you stumble on it. You need a certain amount of luck and persistence.
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Eventually, if it’s on your mind, you stumble on it. You need a certain amount of luck and persistence.
JF
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