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Julie Orringer


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Full Name and Common Aliases


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Julie Orringer is an American novelist, short story writer, and essayist.

Birth and Death Dates


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Born: April 6, 1975 (alive)

Nationality and Profession(s)


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Nationality: American
Profession: Novelist, Short Story Writer, Essayist

Early Life and Background


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Julie Orringer was born in New York City on April 6, 1975. Her family moved to Paris when she was young, where she spent most of her childhood. This experience would later influence her writing, as she often explores themes related to identity, culture, and belonging.

Major Accomplishments


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Orringer's literary career began with the publication of her debut novel, The Invisible Bridge, in 2009. The book received widespread critical acclaim for its sweeping narrative and poignant portrayal of love, loss, and survival during World War II. It was also a finalist for the National Book Award.

Notable Works or Actions


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In addition to The Invisible Bridge, Orringer has published several short stories and essays in prominent literary journals and anthologies. Her work often explores themes related to identity, family history, and the immigrant experience.

One of her most notable works is The Understudy, a novel that reimagines the life of an anonymous woman who was a mistress to a famous writer. The book offers a nuanced exploration of love, loss, and the power dynamics at play in relationships.

Impact and Legacy


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Orringer's writing has been praised for its lyrical prose, complex characters, and thought-provoking themes. Her work often challenges readers to consider the complexities of human experience and the ways in which our lives are intertwined with those of others.

Her impact on contemporary literature is evident in her ability to craft compelling narratives that blur the lines between fiction and nonfiction. Her writing has been compared to that of authors such as Michael Chabon, Deborah Eisenberg, and Jennifer Egan, who are known for their innovative storytelling and nuanced exploration of human experience.

Why They Are Widely Quoted or Remembered


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Julie Orringer is widely quoted and remembered for her thought-provoking and emotionally resonant writing. Her work often captures the complexities of human experience and offers a nuanced exploration of themes related to identity, love, loss, and belonging.

As a writer who has explored some of the most significant events in modern history, Orringer's work serves as a powerful reminder of the importance of storytelling and the impact that literature can have on our understanding of ourselves and the world around us.

Quotes by Julie Orringer

Sometimes I freeze in front of the canvas, full of the knowledge that if I keep painting, sooner or later I will fail her.
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Sometimes I freeze in front of the canvas, full of the knowledge that if I keep painting, sooner or later I will fail her.
Why would a man not argue his own shameful culpability, why would he not crave responsibility for disaster, when the alternative was to feel himself to be nothing more than a speck of human dust?
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Why would a man not argue his own shameful culpability, why would he not crave responsibility for disaster, when the alternative was to feel himself to be nothing more than a speck of human dust?
There is nothing wrong with you. God asks the most of those he loves best.
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There is nothing wrong with you. God asks the most of those he loves best.
It was like love, he thought, this crumbling chapel: it has been complicated, and therefore perfected, by what time had done to it.
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It was like love, he thought, this crumbling chapel: it has been complicated, and therefore perfected, by what time had done to it.
The smoothest way is sometimes full of stones.
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The smoothest way is sometimes full of stones.
The [bird's] nest with its streamers was a final unbidden touch: It was what human hands had not brought to the building, and could not remove. It was like love, he thought, this crumbling chapel: It had been complicated, and thereby perfected, by what time had done to it.
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The [bird's] nest with its streamers was a final unbidden touch: It was what human hands had not brought to the building, and could not remove. It was like love, he thought, this crumbling chapel: It had been complicated, and thereby perfected, by what time had done to it.
Varian sat silent for a moment, his hands between his knees. "All my life I've enjoyed perfect privilege," he said. "American, rich, Protestant, Harvard-educated. I could walk down the street anywhere and feel, God help me, like a master.
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Varian sat silent for a moment, his hands between his knees. "All my life I've enjoyed perfect privilege," he said. "American, rich, Protestant, Harvard-educated. I could walk down the street anywhere and feel, God help me, like a master.
This is the Centre Americain de Secours. What is more American than wild hope?
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This is the Centre Americain de Secours. What is more American than wild hope?
I'm not named after the character,' she said. 'I'm named after the entire opera.
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I'm not named after the character,' she said. 'I'm named after the entire opera.
I wondered how it could be that people could love God and hate one another.
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I wondered how it could be that people could love God and hate one another.
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