Kelly Sue DeConnick
Kelly Sue DeConnick: Prolific Comic Book Writer and Editor
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Full Name and Common Aliases
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Kelly Sue DeConnick is a renowned American comic book writer and editor, known for her work on various notable titles.
Birth and Death Dates
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Born on November 18, 1970, there is no record of Kelly Sue DeConnick's passing. As she remains active in the industry, this information will be kept up to date if necessary.
Nationality and Profession(s)
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Kelly Sue DeConnick holds American nationality and has established herself as a prominent figure within the comic book community through her writing and editing endeavors.
Early Life and Background
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Growing up in the United States, Kelly Sue DeConnick developed an interest in storytelling at an early age. Her introduction to comic books came during her childhood, with the iconic characters of Superman and Wonder Woman, inspiring a lifelong passion for the medium.
DeConnick's creative inclinations were further nurtured through her participation in various extracurricular activities, including writing and illustrating her own stories. As she transitioned into adulthood, these early interests would eventually guide her professional path.
Major Accomplishments
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Throughout her career, Kelly Sue DeConnick has accumulated a substantial array of achievements. Some of her most notable accomplishments include:
Captain Marvel: Serving as the writer for this iconic title during its 2013 relaunch, DeConnick brought new depth to Carol Danvers' character and revitalized interest in the series.
Bitch: This critically acclaimed comic book series, co-created by DeConnick and artist Valentine De Landro, explores complex themes such as teenage identity, friendship, and personal growth.
Velvet: In collaboration with artist Pietro Ascani, DeConnick crafted this crime-noir series for Image Comics, which earned widespread acclaim for its engaging storyline and atmospheric illustrations.Notable Works or Actions
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Some of Kelly Sue DeConnick's most notable works include:
Fearless Defenders: This title marked a significant departure from traditional superhero narratives by focusing on female-led teams.
Avengers Assemble: DeConnick contributed to this series, incorporating fresh perspectives and reinvigorating the iconic team.
Private Eye: Co-created with artist Emma Vieceli, this crime drama explores themes of loyalty, duty, and identity.
Impact and Legacy
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Kelly Sue DeConnick has left an indelible mark on the comic book industry. Her unwavering dedication to crafting compelling stories that resonate with diverse audiences has significantly contributed to the medium's evolution.
DeConnick's pioneering work in representation and character development has paved the way for greater diversity within comic books, inspiring a new generation of creators and readers alike.
Why They Are Widely Quoted or Remembered
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Kelly Sue DeConnick is widely recognized and respected for her tireless advocacy on behalf of marginalized communities and underrepresented voices. Her contributions to the comic book industry extend beyond her individual works, as she has become a powerful voice championing inclusivity and diversity.
Through her unwavering commitment to storytelling and social responsibility, Kelly Sue DeConnick continues to captivate audiences worldwide with her distinctive narratives and characters.
Quotes by Kelly Sue DeConnick
I feel like I have a kind of mirror blindness where it's hard for me to characterize or analyze my own work. I suspect I'm not unique in this regard.
Marvel is run by some very smart people, and they seem to pride themselves on the fact that they don't just find talent, they groom talent.
The first gift my husband ever gave me was a pack of index cards. I'm pretty sure the second was a 'Powers' scriptbook. This was well before either of us worked for Marvel.
I used to write reviews for 'Artbomb.' Our policy was to only cover books we loved and recommended.
'Female Convict 701: Scorpion' is based on a manga as is 'Lady Snowblood.' I saw 'Lady Snowblood' in the theater between writing issue three and issue four of the first arc of 'Pretty Deadly,' and I was really surprised how much I was influenced by it.
With 'Pretty Deadly,' I think you'd be hard-pressed to find a three-act structure in it. I don't know - someone probably can.
I don't think working in superheroes is slumming it. I'm proud of this form. I like this. There's nothing inherently masculine about power fantasies. There's nothing inherently masculine about superhero comics. There's nothing inherently masculine about mythology. About science fiction.
I kind of resent the suggestion that there would be something inherent about superheroes that wouldn't be of interest to women. That makes me nuts. I'm a 5-foot tall woman with a quick temper who always looks like a child, so power fantasies are not strange to me.
You don't usually have to wait a month for a new episode of a TV show. We ask comic readers to wait a month for a new issue, and honestly, given the time that it takes to put them together, a month is really too fast.
Comics are not theatre - there's a very important difference in that the reader controls the page. You can linger on a page of comics as long as you want. You can read and go forward and then move back; you can reread, in one sitting or at your leisure. You can take as much time as you want to take in that story.