I always wanted to design for films.

I'm an incurable romantic, and 'Casablanca''s one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.

My mother and father were interested in the arts.

The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.

Remember, the early '60s in London was something - which must have been like Berlin in the '30s when the arts flourished. You didn't have the differences in class, and so on.

My house is not James Bondish at all. Sorry.

It takes courage to stay young, to make your enthusiasms work for you. Don't let anyone drag you down.

The cinema is there to heighten the imagination; I have always tried to make sure it does so.

A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.

With Kubrick and most film directors, they are in complete control, but one can influence them.