Kenneth Lonergan


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Full Name and Common Aliases


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Kenneth Lonergan's full name is Kenneth Thomas Lonergan. He is often referred to by his last name.

Birth and Death Dates


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Born on October 16, 1962, Kenneth Lonergan is an American playwright, screenwriter, and film director. As of this writing, he is still alive.

Nationality and Profession(s)


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Lonergan holds American nationality and is a playwright, screenwriter, and film director by profession.

Early Life and Background


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Kenneth Lonergan was born in New York City to Irish-American parents. His early life and background played a significant role in shaping his interests and career choices. Growing up in a family that valued the arts helped him develop an appreciation for creative expression from a young age. This foundation laid the groundwork for his future endeavors as a writer and director.

Major Accomplishments


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Lonergan's accomplishments in the world of theater, film, and writing are numerous. Some of his most notable achievements include:

Playwriting: His play "This Is Our Youth" premiered Off-Broadway in 1996 to critical acclaim.
Screenwriting: Lonergan wrote the screenplay for "You Can Count on Me," which earned him an Academy Award nomination for Best Original Screenplay in 2000.
Film Direction: He made his directorial debut with "You Can Count on Me" and went on to direct "Margaret" (2011) and "Manchester by the Sea" (2016), both of which received significant recognition, including Academy Award nominations.

Notable Works or Actions


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Some of Kenneth Lonergan's notable works include:

This Is Our Youth: A play that explores themes of identity, family, and coming-of-age.
You Can Count on Me: A film that showcases his skill as a writer and director in capturing the complexities of human relationships.
Manchester by the Sea: A drama that delves into the emotional struggles faced by a grieving father.

Impact and Legacy


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Lonergan's work has had a profound impact on audiences worldwide. His portrayal of complex characters, coupled with his nuanced exploration of universal themes, has made him a respected figure in the entertainment industry. His legacy continues to grow as new generations discover his work.

Why They Are Widely Quoted or Remembered


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Kenneth Lonergan's contributions to theater and film have earned him widespread recognition. As a writer and director, he is known for tackling tough subjects with sensitivity and nuance. This approach has made his quotes and works highly relevant and memorable.

In conclusion, Kenneth Lonergan's remarkable journey as a playwright, screenwriter, and film director has left an indelible mark on the entertainment industry. His commitment to storytelling and his ability to capture the human experience have solidified his position as a masterful writer and director.

Quotes by Kenneth Lonergan

I'm always really interested in different environments and how they affect people's lives and what it would be like to live somewhere else.
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I'm always really interested in different environments and how they affect people's lives and what it would be like to live somewhere else.
I personally don't need to see a story about a person that starts up miserable and ends up worse.
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I personally don't need to see a story about a person that starts up miserable and ends up worse.
'Margaret' as a creative entity is something that I'm very happy and proud of. But 'Margaret' as a professional experience was a nightmare until it was rescued by critics and people who liked it.
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'Margaret' as a creative entity is something that I'm very happy and proud of. But 'Margaret' as a professional experience was a nightmare until it was rescued by critics and people who liked it.
Truthfully, and I don't mean to sound naive, but I don't know that much about the film business.
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Truthfully, and I don't mean to sound naive, but I don't know that much about the film business.
Many movies about people recovering, moving on, and redeeming themselves are really wonderful and inspiring. But I think the more sentimental ones that are less good make me feel isolated - like, if you can't pull yourself up by your bootstraps like the guys in the movies, there is something wrong with you. That's a shame.
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Many movies about people recovering, moving on, and redeeming themselves are really wonderful and inspiring. But I think the more sentimental ones that are less good make me feel isolated - like, if you can't pull yourself up by your bootstraps like the guys in the movies, there is something wrong with you. That's a shame.
There are some situations in life that are simply not funny, and there's nothing funny about them, but they're rare, and they don't last all that long.
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There are some situations in life that are simply not funny, and there's nothing funny about them, but they're rare, and they don't last all that long.
A really good comedy, I think, is played as if it was real, and it's the circumstances that make it amusing. And I think that the - the inverse or the reverse is true for drama.
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A really good comedy, I think, is played as if it was real, and it's the circumstances that make it amusing. And I think that the - the inverse or the reverse is true for drama.
The really funny comedies to me are always the ones that are played the straightest or given the most emotional content. And when people start making faces and setting things up and commenting and winking at you, I don't find that to be very funny.
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The really funny comedies to me are always the ones that are played the straightest or given the most emotional content. And when people start making faces and setting things up and commenting and winking at you, I don't find that to be very funny.
I think 'Manchester' is really about grieving and trying to get on after something terrible has happened to an adult, and a whole life being destroyed, and then, what are the forces that keep him involved with the people he loves? They love him, and they won't let him go.
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I think 'Manchester' is really about grieving and trying to get on after something terrible has happened to an adult, and a whole life being destroyed, and then, what are the forces that keep him involved with the people he loves? They love him, and they won't let him go.
My personal pride is not strong enough to make me brave. But I don't know why I equate being brave with fighting.
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My personal pride is not strong enough to make me brave. But I don't know why I equate being brave with fighting.
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