KN

Kenneth Noland

22quotes

Kenneth Noland


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Full Name and Common Aliases

Kenneth Nelson Noland was an American artist known professionally as Kenneth Noland.

Birth and Death Dates

Born on April 23, 1924, in Asheville, North Carolina, USA. Passed away on February 5, 2010.

Nationality and Profession(s)

American, Artist (painter), Printmaker

Early Life and Background


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Noland was born into a family of modest means. His early life was marked by a strong interest in art, encouraged by his mother, who introduced him to various artistic mediums. Growing up during the Great Depression, Noland's exposure to poverty and social change would later influence his artistic vision.

Major Accomplishments


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Noland is best known for his contributions to the development of color-field painting, a movement characterized by flat areas of unmodulated color. His work in this style not only expanded the possibilities of modern art but also influenced generations of artists to come.

Some of Noland's most notable works include:

"Target" (1959): A quintessential example of his color-field technique, featuring a large, circular field of vibrant blue.
 "Sunset" (1976): An exemplary representation of Noland's continued exploration of color relationships.

Noland's artistic trajectory was marked by numerous awards and accolades. He received the Skowhegan Medal for Painting in 1963 and was elected to the National Academy of Design in 1985.

Notable Works or Actions


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As a printmaker, Noland experimented with innovative techniques to create bold, graphic images. His prints often featured simple shapes, monochromatic colors, and an emphasis on texture. Some notable examples include:

"Black Sun" (1969): A large-scale woodcut featuring dark, geometric forms.
 "Red Square" (1973): A vibrant print that exemplifies Noland's exploration of color relationships.

Impact and Legacy


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Kenneth Noland's artistic contributions had a profound impact on the development of modern art. His innovative use of color and composition paved the way for future generations of artists to experiment with new styles and techniques.

Noland's legacy extends beyond his individual works of art. He helped shape the direction of American painting in the mid-20th century, influencing artists such as Ellsworth Kelly and Morris Louis.

Why They Are Widely Quoted or Remembered


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Kenneth Noland's influence on modern art is undeniable. His contributions to color-field painting and printmaking have left an indelible mark on the artistic world. As a pioneer in his field, Noland continues to inspire artists, designers, and enthusiasts alike with his innovative spirit and dedication to pushing the boundaries of creative expression.

By exploring Noland's life, work, and legacy, we gain a deeper understanding of the artist's vision and its lasting impact on the art world. His story serves as a testament to the power of artistic innovation and its ability to transcend time and generations.

Quotes by Kenneth Noland

I’ve also been willing to share any help that I could give to any other artist.
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I’ve also been willing to share any help that I could give to any other artist.
KN
Usually I throw away what I don’t get right the first time.
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Usually I throw away what I don’t get right the first time.
KN
In the ’50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known.
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In the ’50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known.
KN
With artists of my own generation there was at first no group identity – and never a clique.
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With artists of my own generation there was at first no group identity – and never a clique.
KN
I met David Smith through my former wife, Cornelia, who’d studied with him.
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I met David Smith through my former wife, Cornelia, who’d studied with him.
KN
Context begins with other artists – seniors and mentors.
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Context begins with other artists – seniors and mentors.
KN
For me context is the key – from that comes the understanding of everything.
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For me context is the key – from that comes the understanding of everything.
KN
I paint my paintings directly. I almost never paint over. This maintains the attention of the picture for me, my contact with what I am doing.
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I paint my paintings directly. I almost never paint over. This maintains the attention of the picture for me, my contact with what I am doing.
KN
That's the way I work. Usually I start by fooling with the stuff, make messes. Sometimes something comes out of it; sometimes it doesn't.
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That's the way I work. Usually I start by fooling with the stuff, make messes. Sometimes something comes out of it; sometimes it doesn't.
KN
Clem had made it known that Pollock was a great painter.
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Clem had made it known that Pollock was a great painter.
KN
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