Even though the means of production are more available than ever, I think the true expertise is as rare as ever.

I have a few memories of being young here in the United States, but almost no recollections of being young in Vietnam.

I think there’s a really selfish part of me that wishes I had the tools that I had today in the context of a designer practicing in the middle part of the 20th century when creating a single expression of an idea was the norm.

I think the thing about the Internet is that it has so many characteristics that can be easily construed to be similar or almost identical to print that it can be misleading.

I think there’s always something about design that is going to be very difficult for more than a small fraction of people to really get.

You have to design a story that might appear on the front page of the newspaper for the website. You don’t have to design it in such a way that it can be self contained, that it makes sense if you never hit the front page of it.

I think the key difference between the web and print medium is, on the web or any digital medium, you’re dealing with this added element of behavior.

I think there’s a huge – there’s a huge desire in me to make sense of the world in a way that I think you can trace back to that early disruption, this idea of wanting to compensate for that really kind of traumatic experience and sort of seeing its impact on my immediate and extended family.

I think design does evolve in a meaningful sense. I think if you look at design as a part of the continuum of communication, since even before Guttenberg.

I think if you took away all the designers and automated the process tomorrow, the end result would be really, really dissatisfying and disturbing to a lot of people. So, I think there’s a lot of value that print designers have.