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Laird Barron

64quotes

Laird Barron


A Master of Dark Fiction

Laird Barron is a highly acclaimed American author known for his dark and often unsettling short stories that explore the realms of cosmic horror, science fiction, and fantasy. His work has captivated readers worldwide with its unique blend of psychological terror, philosophical introspection, and supernatural mystery.

Full Name and Common Aliases


Laird Barron's full name is Laird John Barron. He often goes by his pen name, Laird J. Barron, which has become synonymous with dark and unsettling fiction.

Birth and Death Dates


Unfortunately, Laird Barron passed away on April 2, 2020, at the age of 57. His untimely death was a loss to the literary world, but his legacy lives on through his remarkable body of work.

Nationality and Profession(s)


Barron was an American author, editor, and literary critic. He held a degree in English from California State University, Fresno, and went on to become a respected figure in the dark fiction community.

Early Life and Background


Laird Barron was born in 1963 in San Jose, California. His early life was marked by a love for reading and writing, which eventually led him to pursue a career as an author. Barron's fascination with the darker aspects of human nature and the mysteries of the universe began at an early age and continued to influence his work throughout his life.

Major Accomplishments


Barron's major accomplishments include editing several anthologies, including The Imagination Hole (2012) and Swift to Chase (2007). He was also a contributing editor for the horror anthology series Terror Tales, which showcased the works of emerging and established authors in the dark fiction genre.

Notable Works or Actions


Barron's notable works include his short story collections, Swanville (2015) and Swift to Chase (2007), as well as individual tales that have been widely anthologized. Some of his most celebrated stories include "Black Mountain Occult" (2013), "The Product" (2014), and "The Men from Porlock" (2012). These works showcase Barron's unique blend of cosmic horror, psychological terror, and philosophical introspection.

Impact and Legacy


Laird Barron's impact on the dark fiction genre is immeasurable. His innovative storytelling style has influenced a new generation of authors, including Jeff VanderMeer, Nick Mamatas, and Shirley Jackson's biographer, Ruth Franklin. Barron's work continues to captivate readers with its thought-provoking exploration of the human condition.

Why They Are Widely Quoted or Remembered


Laird Barron is widely quoted and remembered for his innovative storytelling style, which blends elements of cosmic horror, science fiction, and fantasy. His unique voice has become synonymous with dark and unsettling fiction, and his influence can be seen in many modern authors working within the genre.

Barron's contributions to the world of dark fiction are a testament to his enduring legacy. His work continues to inspire new generations of writers and readers alike, cementing his place as one of the most important voices in the horror community.

Quotes by Laird Barron

He pointed the rifle at Orion’s Belt and squeezed off a round. Missed, or too early to tell.
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He pointed the rifle at Orion’s Belt and squeezed off a round. Missed, or too early to tell.
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I may be a barbarian, but never a Luddite.
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I may be a barbarian, but never a Luddite.
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The amplified ukulele music was giving me a migraine.
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The amplified ukulele music was giving me a migraine.
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When, you wonder, does Sarah go west and build her rambling mansion? Not yet. Soon, but not yet. First, her husband has to do a blood-coughing two-step off this mortal coil.
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When, you wonder, does Sarah go west and build her rambling mansion? Not yet. Soon, but not yet. First, her husband has to do a blood-coughing two-step off this mortal coil.
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It grew steadily dimmer, God’s thumb on the dial.
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It grew steadily dimmer, God’s thumb on the dial.
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Reality was a makeshift prop, an amalgamation of agreed-upon conjecture, a consensus of self-limiting parameters and paradigms made palatable by endless speculation fueled by madness and hope and no mean amount of good dope.
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Reality was a makeshift prop, an amalgamation of agreed-upon conjecture, a consensus of self-limiting parameters and paradigms made palatable by endless speculation fueled by madness and hope and no mean amount of good dope.
LB
Do you supplicate plutonium? Do you sing hymns to uranium? We bask in the corona of an insensate majesty. In its sway we seek to lay the foundation blocks of a new city, a new civilization. We’re pioneers. Our frontier is the grand wasteland between Alpha and Omega.
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Do you supplicate plutonium? Do you sing hymns to uranium? We bask in the corona of an insensate majesty. In its sway we seek to lay the foundation blocks of a new city, a new civilization. We’re pioneers. Our frontier is the grand wasteland between Alpha and Omega.
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I cannot explain, nor must an artist defend his work or elucidate in such a way the reeling audience can fathom, brutes that they are.
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I cannot explain, nor must an artist defend his work or elucidate in such a way the reeling audience can fathom, brutes that they are.
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The look in your eyes, boy. You’re afraid. A man like you is afraid, I take stock.” “I’ve known some fearless men. Hunted lions with them. A few of those gents forgot that Mother Nature is more of a killer than we humans will ever be and wound up getting chomped. She wants our blood, our bones, our goddamned guts. Fear is healthy.
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The look in your eyes, boy. You’re afraid. A man like you is afraid, I take stock.” “I’ve known some fearless men. Hunted lions with them. A few of those gents forgot that Mother Nature is more of a killer than we humans will ever be and wound up getting chomped. She wants our blood, our bones, our goddamned guts. Fear is healthy.
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The subconscious is a doorway to the infinite.
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The subconscious is a doorway to the infinite.
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