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Laura Amy Schlitz

41quotes

Laura Amy Schlitz
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Full Name and Common Aliases


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Laura Amy Schlitz is a renowned American poet, novelist, and illustrator, best known for her lyrical prose and captivating storytelling.

Birth and Death Dates


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Born on May 22, 1956, Laura Amy Schlitz is still active in her writing career. While there is no record of her passing, this information will be updated as necessary.

Nationality and Profession(s)


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Schlitz is a proud American citizen, holding the title of Poet Laureate Consultant in Poetry to the Library of Congress from 2011-2013. Her extensive experience spans multiple creative fields: she is both an accomplished writer and skilled illustrator.

Early Life and Background


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Growing up in New York, Schlitz developed a deep appreciation for language and storytelling. This innate love would eventually shape her writing style, characterized by its poetic flow and imagination-driven narratives. Her passion for words led her to pursue a career in creative expression.

Major Accomplishments


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Schlitz's impressive body of work has garnered numerous accolades, including the National Book Award (2007) for _Good Masters! Sweet Ladies! Voices from a Medieval Village_, which she also illustrated. Her novel _Show Way_ won the 2006 Coretta Scott King Author Award.

Notable Works or Actions


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Some of Schlitz's notable works include:

_The Golden Goblet_ (1994) - a Newbery Medal-winning novel about ancient Egypt.
 _Good Masters! Sweet Ladies! Voices from a Medieval Village_ (2007) - an illustrated poetry collection that explores life in medieval England and Ireland.
* _Show Way_ (2009) - a story based on her family's history, highlighting the Underground Railroad.

Schlitz has also been recognized for her work as a poet laureate. Her contributions to literature have left a lasting impact on readers of all ages.

Impact and Legacy


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Laura Amy Schlitz's writing has a profound effect on young readers, inspiring them with stories that blend history, imagination, and heart. Her commitment to creative expression continues to inspire new generations of writers and artists. As both an author and illustrator, Schlitz exemplifies the multifaceted nature of creativity.

Why They Are Widely Quoted or Remembered


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Schlitz is widely quoted for her poetic prose and vivid storytelling, which has captivated readers worldwide. Her dedication to exploring diverse subjects, such as ancient civilizations and historical events, has made her a beloved figure in the literary world.

Quotes by Laura Amy Schlitz

When I was a child, I wanted to be important.
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When I was a child, I wanted to be important.
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Novels taught me that history is dramatic. I wanted my students to know that, too.
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Novels taught me that history is dramatic. I wanted my students to know that, too.
LA
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
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I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
LA
I tell 'Hansel and Gretel' stories about heroic children who are lost in a world that seems friendly at first, and then isn't.
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I tell 'Hansel and Gretel' stories about heroic children who are lost in a world that seems friendly at first, and then isn't.
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When I was 4 years old, I woke up in the middle of the night and told my parents there was a witch crying outside in the boxwood bushes. I didn't know who she was or why she was crying, but I was terribly upset.
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When I was 4 years old, I woke up in the middle of the night and told my parents there was a witch crying outside in the boxwood bushes. I didn't know who she was or why she was crying, but I was terribly upset.
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Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
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Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
LA
I could make up characters till the cows came home. Plot's what hard. Very hard.
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I could make up characters till the cows came home. Plot's what hard. Very hard.
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I'm like a crockpot on low heat. My mind constantly comes up with ideas, but I abandon a lot of them after a week or two. It's the ones that keep coming to me, that keep picking up flavors, that haunt me, those are the ones that wind up getting written.
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I'm like a crockpot on low heat. My mind constantly comes up with ideas, but I abandon a lot of them after a week or two. It's the ones that keep coming to me, that keep picking up flavors, that haunt me, those are the ones that wind up getting written.
LA
I became fascinated by marionettes, which I first saw in Venice. They were so haunted and so alive. You walked by them, and you could feel their presence, with their beady eyes just fixed on you.
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I became fascinated by marionettes, which I first saw in Venice. They were so haunted and so alive. You walked by them, and you could feel their presence, with their beady eyes just fixed on you.
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As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
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As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
LA
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