Laura Wade
Laura Wade
Full Name and Common Aliases
Laura Wade is a British playwright known for her thought-provoking and often provocative works that explore the complexities of human relationships.
Birth and Death Dates
Born on June 21, 1977, in London, England, Wade's life has been marked by a dedication to storytelling and social commentary.
Nationality and Profession(s)
Wade is British by nationality and a playwright by profession. Her works are a testament to her skill as a storyteller and her commitment to exploring the human condition through theater.
Early Life and Background
Growing up in London, Wade was exposed to the city's vibrant arts scene from an early age. This exposure likely influenced her decision to pursue a career in playwriting. Wade attended the University of Cambridge, where she developed her writing skills and honed her craft.
Major Accomplishments
Wade's breakthrough play, "Posh," premiered at the Royal Court Theatre in London in 2009. The play was a critical success, earning Wade the Olivier Award for Best New Play in 2010. Since then, she has gone on to write several other notable plays, including "Cymbeline" (2016) and "Home, I'm Darling" (2021).
Notable Works or Actions
Wade's plays often explore themes of identity, class, and relationships. Her writing is characterized by its wit, intelligence, and emotional depth. Some of her most notable works include:
Posh (2009): A play that examines the lives of young men from privileged backgrounds at Oxford University.
Cymbeline (2016): An adaptation of Shakespeare's classic play, set in a contemporary context.
* Home, I'm Darling (2021): A comedy-drama about a woman who becomes obsessed with 1950s housewives.
Impact and Legacy
Wade's plays have had a significant impact on the theater scene in the UK. Her writing has been praised for its insight into the human condition and its ability to spark important conversations about class, identity, and relationships. As a result, Wade has become one of the most respected playwrights of her generation.
Why They Are Widely Quoted or Remembered
Wade is widely quoted and remembered for her thought-provoking plays that challenge audiences to think critically about the world around them. Her writing is characterized by its intelligence, wit, and emotional depth, making her one of the most compelling voices in contemporary theater.
Quotes by Laura Wade
'Posh' is not really political. I didn't want to aim a brickbat at the system. Or to bash Old Etonians. It was always the class and privilege aspect of that world that I was most drawn to. There is something endlessly fascinating about imagining something you could never be involved in.
Maybe if I'd had more direct contact with death, I wouldn't find it so fascinating and I wouldn't write about it so much.
Old Etonians are the most charming people in the world. It's not just the analytic ability and the great education; there is a really easy confidence to them that draws people to them and makes their passage though the world a little easier.
I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
I am interested in the way advances in medicine and palliative care mean more people now have the opportunity to plan their own deaths, and also plan for those who are left behind. What does that do to the grieving process?
Your plays are always personal. You can't help seeing yourself in the serial killer you've just written. But they get less specifically personal.
In my final year at Bristol University, I wrote a play called 'White Feathers.' It was produced in the studio theatre at the students' union in early 1999, when I was 21. It's 100 pages long: a very traditional play, with an interval, about deserters in the First World War.