Lewis Hyde
Lewis Hyde
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Full Name and Common Aliases
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Lewis Hyde is an American poet, essayist, and scholar of mythology.
Birth and Death Dates
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Born on October 10, 1959, Lewis Hyde's life has been marked by a passion for exploring the intersections of art, culture, and philosophy. Unfortunately, I couldn't find any information about his passing.
Nationality and Profession(s)
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American poet, essayist, and scholar of mythology
Early Life and Background
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Hyde was born in Cleveland, Ohio, where he developed an early interest in the arts and literature. His family's cultural background was a significant influence on his life, with his parents exposing him to various forms of art and music from an early age.
He attended Harvard University, where he earned both his Bachelor's and Master's degrees. This academic foundation laid the groundwork for his future pursuits in poetry, essay writing, and scholarship.
Major Accomplishments
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Hyde's contributions to literature and academia are numerous and significant. Some of his notable achievements include:
The Gift: Imagination and the Erotic Life of Property (1983): This book explores the concept of creativity as a form of gift-giving, arguing that art and imagination have an essential role in shaping our understanding of property and ownership.
Trickster Makes This World: Mischief, Myth, and Art (1998): In this work, Hyde examines the figure of the trickster – a common character in mythology and folklore – to explore its significance in art, literature, and culture.
Notable Works or Actions
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Hyde's writing has been widely praised for its unique blend of scholarship, poetry, and essayistic reflection. Some notable examples include:
The Allegiance of Eyes (1996): A collection of poems that explore themes of love, loss, and the human condition.
A Swerve of Six Spheres (2012): An exploration of the intersections between astronomy, mythology, and art.
Impact and Legacy
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Hyde's work has had a lasting impact on various fields, including literature, philosophy, and cultural studies. His ideas about creativity, property, and the role of imagination have resonated with readers around the world.
His writing often encourages readers to think critically about the relationships between art, culture, and society. Through his scholarship, poetry, and essays, Hyde has helped shape a more nuanced understanding of these complex issues.
Why They Are Widely Quoted or Remembered
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Lewis Hyde's unique voice and perspective have made him a widely respected figure in literary circles. His writing is characterized by its lyricism, intellectual depth, and willingness to explore the most fundamental questions about art, culture, and human experience.
As a scholar of mythology and a poet, Hyde has found himself at home in multiple worlds – from academia to the world of fine arts. This versatility has allowed him to speak to audiences across disciplines and backgrounds, making his ideas feel both timeless and urgently relevant.
Overall, Lewis Hyde is remembered for his groundbreaking work on creativity, property, and imagination. His commitment to exploring these complex themes has inspired readers and scholars alike to think more critically about the relationships between art, culture, and society.
Quotes by Lewis Hyde
Once the web has lost its charm, its terms lose theirs; suddenly they seem contingent and open to revision. For those epi-predators who work with the signifiers themselves rather than the things they supposedly signify, language is not a medium that helps us see the true, the real, the natural. Language is a tool assembled by creatures with “no way” trying to make a world that will satisfy their needs; it is a tool those same creatures can disassemble if it fails them.
The first story I have to tell is not exactly true, but it isn’t exactly false, either.
Out of bad faith comes a longing for control, for the law and the police. Bad faith suspects that the gift will not come back, that things won’t work out, that there is a scarcity so great in the world that it will devour whatever gifts appear. In bad faith the circle is broken.
Every act of memory is an act of forgetting. The tree of memory set its roots in blood. To secure an ideal, surround it with a moat of forgetfulness. To study the self is to forget the self. In forgetting lies the liquefaction of time. The Furies bloat the present with the undigested past. “Memory and oblivion, we call that imagination.” We dream in order to forget.
The more we allow such commodity art to define and control our gifts, the less gifted we will become, as individuals and as a society. The.
We may not have the power to profess our gifts as the artist does, and yet we come to recognize, and in a sense to receive, the endowments of our being through the agency of his creation.
In one sense the reemergence of ancient usury bespeaks a decline in faith. Gift exchange is connected to faith because both are disinterested. Faith does not look out. No one by himself controls the cycle of gifts he participates in; each, instead, surrenders to the spirit of the gift in order for it to move. Therefore, the person who gives is a person willing to abandon control. If.
Science may not be as intimate as the medical profession; nonetheless, it certainly is a community in which ideas are often shared as contributions, not as proprietary things.