LG

Louis Garrel

40quotes

Louis Garrel


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Full Name and Common Aliases


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Louis-Thomas Garrel is commonly referred to as Louis Garrel, a French actor known for his extensive filmography.

Birth and Death Dates


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Born: June 23, 1983, in Paris, France
 Still active and alive

Nationality and Profession(s)


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Nationality: French
Profession: Actor, Film Director

Louis Garrel has established himself as a talented actor with a versatile career that spans multiple mediums. He is also known for his work behind the camera, having directed several notable films.

Early Life and Background


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Garrel comes from an acting family. His parents are actress Brigitte Lahaie and director Philippe Garrel, who was part of the French New Wave movement in cinema. This early exposure to the industry likely influenced Louis's decision to pursue a career in film. Growing up with such a strong foundation in the arts allowed him to develop his skills from an early age.

Major Accomplishments


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Throughout his career, Garrel has been involved in numerous critically acclaimed projects that demonstrate his range as both an actor and director. Notably:

Louis's breakthrough role was in Éric Zonka's 2003 film _Regular Lovers_, where he played the part of a young man embroiled in a complicated love affair.
 His performances in _Tristram Shandy: A Cock and Bull Story_ (2005) and _The Dreamers_ (2003) showcase his ability to adapt to various roles and settings.
Garrel made headlines for playing the role of Jean-Pierre Léaud's son in _Regular Lovers_. This performance garnered him a César Award nomination, further solidifying his position within the French film industry.

Notable Works or Actions


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Some of Louis Garrel's most notable works include:

Regular Lovers (2003): A romantic drama where he stars alongside Ludivine Sagnier and Jean-Pierre Kattar.
The Dreamers (2003): A drama film set in 1960s Paris, co-written by Bernardo Bertolucci and Gilbert Adair. Garrel appears alongside Eva Green and Michael Pitt.
 In the House (2012): A French comedy-drama directed by François Ozon, in which he plays a young teacher.

Impact and Legacy


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Garrel's contributions to cinema are multifaceted:

As an actor, he brings depth and nuance to his characters, making them relatable and memorable.
 Behind the camera, Garrel has demonstrated his ability to craft compelling stories that resonate with audiences. His work often explores themes of love, relationships, and the complexities of human nature.

Why They Are Widely Quoted or Remembered


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Louis Garrel is widely quoted or remembered due to:

Versatility: He has successfully navigated both acting and directing roles in a variety of genres.
 Emotional Depth: His performances are characterized by their emotional depth, making him stand out as an actor.
* Influence on French Cinema: Garrel's involvement in several critically acclaimed films demonstrates his impact on the French film industry.

Quotes by Louis Garrel

In France, I would like to worth with Patrice Chereau, who made 'Queen Margot.'
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In France, I would like to worth with Patrice Chereau, who made 'Queen Margot.'
LG
I wanted to be a lawyer. I love that job; I don't know why.
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I wanted to be a lawyer. I love that job; I don't know why.
LG
I hope each day to have done 10 seconds of good work that they can use in the film. And I'm always afraid I didn't get those 10 seconds.
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I hope each day to have done 10 seconds of good work that they can use in the film. And I'm always afraid I didn't get those 10 seconds.
LG
I think that what people abroad want from French film, inside French film becomes our worst fear, “Oh, another film about love!”
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I think that what people abroad want from French film, inside French film becomes our worst fear, “Oh, another film about love!”
LG
As an actor I’ve played a lot of gloomy, romantic leads and even though I might not want to recognize it, I actually really have a sense of humor.
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As an actor I’ve played a lot of gloomy, romantic leads and even though I might not want to recognize it, I actually really have a sense of humor.
LG
There’s a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.
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There’s a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.
LG
Paris, though it’s a very famous city, it’s very small, so people always tell themselves, “We’re gonna love each other in Paris.”
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Paris, though it’s a very famous city, it’s very small, so people always tell themselves, “We’re gonna love each other in Paris.”
LG
People always go to Paris for their honeymoon. It’s like they think because the distances are closer, it’s much warmer.
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People always go to Paris for their honeymoon. It’s like they think because the distances are closer, it’s much warmer.
LG
I tried to make a list of films where there’s two men and one woman and I realized there’s films like this everywhere.
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I tried to make a list of films where there’s two men and one woman and I realized there’s films like this everywhere.
LG
There’s something about Paris, people just don’t have anything else do there but love each other.
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There’s something about Paris, people just don’t have anything else do there but love each other.
LG
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