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Louis Leterrier


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Full Name and Common Aliases


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Louis Leterrier is a French film director, screenwriter, and producer born on June 17, 1973.

Birth and Death Dates


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Born: June 17, 1973 (age 49)
Still active in the industry

Nationality and Profession(s)


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Louis Leterrier is a French national with multiple professions in the film industry:

1. Director: He has directed several films, including comedies, action movies, and fantasy adventures.
2. Screenwriter: Leterrier often collaborates on screenplays for his projects, contributing to their success.
3. Producer: With an eye for talent and storylines, he brings vision and expertise to the production side of filmmaking.

Early Life and Background


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Born in Paris, France, Louis Leterrier developed a passion for filmmaking from a young age. He began his career by working on short films and writing scripts while attending high school. His early experiences laid the foundation for his future success in the industry. After completing his education, Leterrier pursued a career in filmmaking, honing his skills as a director and writer.

Major Accomplishments


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Some of Louis Leterrier's most notable accomplishments include:

The Transporter (2002): A successful action movie starring Jason Statham that kickstarted the franchise.
The Incredible Hulk (2008): A superhero reboot that introduced Edward Norton as Bruce Banner/Hulk.
Clash of the Titans (2010): A fantasy adventure remake, where Leterrier brought his unique vision to a classic tale.

Notable Works or Actions


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Some notable works and actions by Louis Leterrier include:

The Transporter 2: The sequel to the original action movie, which further solidified Jason Statham's status as an action hero.
L'Intouchable (2011): A French comedy-drama that showcased his versatility beyond the action genre.

Impact and Legacy


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Louis Leterrier has made a lasting impact on the film industry through his work. He has demonstrated a unique ability to balance action, drama, and humor in his films, making him one of the most sought-after directors today.

Influence: His contributions have influenced generations of filmmakers and actors alike.
* Legacy: Leterrier's legacy extends beyond his filmography as he continues to inspire aspiring creatives with his vision and dedication.

Why They Are Widely Quoted or Remembered


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Louis Leterrier is widely quoted and remembered for:

1. Visionary Storytelling: He brings complex, engaging storylines to the screen that captivate audiences worldwide.
2. Collaborative Approach: His ability to work seamlessly with actors, writers, and producers has helped create some of the most memorable films in recent years.

By examining his journey from a young filmmaker to an accomplished director and producer, we gain insight into why Louis Leterrier is widely quoted or remembered today.

Quotes by Louis Leterrier

I love comedies, and I like sometimes comedies have a tendency to get a bit lazy. 'The Other Guys' was not lazy.
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I love comedies, and I like sometimes comedies have a tendency to get a bit lazy. 'The Other Guys' was not lazy.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
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Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
The first cut was 2:10. It was boring. You know, they're looking each other, 'Should I drive now?' Then I realized that it's a thrill-ride of a movie, let's really make it a thrill-ride of a movie.
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The first cut was 2:10. It was boring. You know, they're looking each other, 'Should I drive now?' Then I realized that it's a thrill-ride of a movie, let's really make it a thrill-ride of a movie.
Its true, Im the youngest, highest-grossing French director. I have a few records, but no one knows or simply doesnt care. Thats good, because I like that. Ultimately, I want to keep working, making a lot of movies, and get better at it. Its about finding great scripts and bringing them to life.
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Its true, Im the youngest, highest-grossing French director. I have a few records, but no one knows or simply doesnt care. Thats good, because I like that. Ultimately, I want to keep working, making a lot of movies, and get better at it. Its about finding great scripts and bringing them to life.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
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It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
Directing is like cooking, it's like cuisine. You cannot make a great dish with bad ingredients. I have great actors, and I'm putting them together. That's all I'm doing.
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Directing is like cooking, it's like cuisine. You cannot make a great dish with bad ingredients. I have great actors, and I'm putting them together. That's all I'm doing.
Whats great about The Avengers is that its the next step. Its not just superhero fights super-villain and superhero wins. Its about superheroes that come together and interact. Its a clash of the egos. You could do Avengers 1 without a villain, just with all these guys coming together. They could sit down and just have a discussion.
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Whats great about The Avengers is that its the next step. Its not just superhero fights super-villain and superhero wins. Its about superheroes that come together and interact. Its a clash of the egos. You could do Avengers 1 without a villain, just with all these guys coming together. They could sit down and just have a discussion.
You always have three movies that you have to reduce into one. You have the screenplay. And then, you do a workshop and you add more scenes. And then, on the day you shoot, there's more action and interaction. It's like a souffle. It has a tendency to just grow and explode, and it's just too long.
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You always have three movies that you have to reduce into one. You have the screenplay. And then, you do a workshop and you add more scenes. And then, on the day you shoot, there's more action and interaction. It's like a souffle. It has a tendency to just grow and explode, and it's just too long.
The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.
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The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.
All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.
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All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.
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