Margaret Bourke-White
Margaret Bourke-White: A Pioneering Photographer and Journalist
Full Name and Common Aliases
Margaret Bourke-White was born on June 14, 1904, in the Bronx, New York. Her parents, Joseph White and Minnie Bourke, were Irish immigrants who instilled in her a strong sense of independence and self-reliance.
Birth and Death Dates
June 14, 1904 - August 27, 1971
Nationality and Profession(s)
American, Photographer, Journalist
Margaret Bourke-White was one of the first women to work for _Life_ magazine, a pioneering photographer who captured some of the most pivotal moments of the 20th century, and a trailblazer in her field.
Early Life and Background
Growing up in a family that valued education and self-improvement, Margaret was encouraged to pursue her passions. She developed an interest in photography at a young age and began taking pictures as soon as she could hold a camera. Her parents' encouragement and support laid the foundation for her future success.
After completing high school, Margaret attended Cornell University, where she studied industrial arts and economics. However, it was not until she transferred to Michigan State College (now Michigan State University) that she discovered her true calling in photography. Under the guidance of Professor Willard Marsh, she honed her skills and developed a keen eye for composition.
Major Accomplishments
Margaret Bourke-White's accomplishments are nothing short of remarkable. She was:
One of the first women to work for _Fortune_ magazine (1929) and _Time-Life_ (1935)
The first American woman to work as a photographer in the Soviet Union (1930)
A renowned war correspondent, covering conflicts in Europe and Asia
A prominent advocate for social justice and human rights
Notable Works or Actions
Some of Margaret's most notable works include:
Her photographs of the construction of the Hoover Dam (1936) and the Ford Motor Company's River Rouge Plant (1939)
Her coverage of the Spanish Civil War (1936-1937) and World War II (1939-1945)
Her work on a series of portraits of prominent world leaders, including Joseph Stalin and Mahatma GandhiImpact and Legacy
Margaret Bourke-White's impact extends far beyond her impressive body of work. She:
Paved the way for future generations of women in photography and journalism
Demonstrated unwavering dedication to her craft and a commitment to social justice
Continues to inspire photographers, journalists, and activists around the world
Why They Are Widely Quoted or Remembered
Margaret Bourke-White's quotes are often cited for their wisdom, insight, and inspiration. She is remembered for:
Her unyielding passion for her work and her commitment to telling important stories
Her ability to capture powerful images that convey the human experience
* Her dedication to using her platform to raise awareness about social justice issues
Margaret Bourke-White's legacy serves as a testament to the power of determination, creativity, and a willingness to take risks. Her contributions to the world of photography and journalism have left an indelible mark, and her quotes continue to inspire and motivate people around the globe.
Quotes by Margaret Bourke-White
Margaret Bourke-White's insights on:
By some special graciousness of fate I am deposited – as all good photographers like to be – in the right place at the right time. Go into it as young as possible. Bring all the asset you have and play to win.
Usually I object when someone makes over-much of men’s work versus women’s work, for I think it is the excellence of the results which counts.
If anyone gets in my way when I’m making a picture, I become irrational. I’m never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
Even while you’re in dead earnest about your work, you must approach it with a feeling of freedom and joy; you must be loose-jointed, like a relaxed athlete.
The element of discovery is very important. I don’t repeat myself well. I want and need that stimulus of walking forward from one new world to another.
Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
A burning purpose attracts others who are drawn along with it and help fulfill it.
"Utter truth is essential, and that is what stirs me when I look through the camera."
Nothing attracts me like a closed door. I cannot let my camera rest until I have pried it open.
Photography is a very subtle thing. You must let the camera take you by the hand, as it were, and lead you into your subject.