MD

Marie Dressler: A Star of Stage and Screen
====================================================

Full Name and Common Aliases


---------------------------------

Leila Marie Koerber, known professionally as Marie Dressler, was a Canadian-American actress who rose to fame in the early 20th century. She is often credited with being one of the first female movie stars.

Birth and Death Dates


-------------------------

Born: November 9, 1868, in Cobourg, Ontario, Canada
Died: July 2, 1934, in Santa Barbara, California, USA

Nationality and Profession(s)


---------------------------------

Marie Dressler was a Canadian-American actress who worked primarily on stage and screen. Her career spanned over three decades, during which she transitioned from theater to film.

Early Life and Background


------------------------------

Born Leila Marie Koerber in Cobourg, Ontario, Canada, Marie Dressler grew up in a family of modest means. She began her acting career at the age of 16 as a chorus girl with the Royal Princess Burgh Theatre Company in Toronto. Dressler's early life was marked by hardship and struggle, but she persevered to become one of the most beloved actresses of her time.

Major Accomplishments


---------------------------

Marie Dressler's career was marked by numerous accomplishments, including:

Her work on stage with the Ziegfeld Follies and other prominent theater companies earned her critical acclaim.
She transitioned to film in the 1910s and quickly became a leading lady of silent cinema.
Dressler's collaborations with notable directors like King Vidor and Cecil B. DeMille resulted in some of her most iconic performances.

Notable Works or Actions


-----------------------------

Some of Marie Dressler's most notable works include:

The Divorcee (1930): A romantic drama that earned her an Academy Award for Best Actress.
Min and Bill (1931): A drama film that showcased her remarkable range as a performer.
Her association with the Red Cross, where she served as a volunteer and helped raise funds during World War I.

Impact and Legacy


-------------------------

Marie Dressler's impact on the entertainment industry extends far beyond her impressive filmography. She:

Paved the way for future generations of female actors, demonstrating that women could succeed in a male-dominated field.
Inspired numerous actresses, including Greta Garbo and Bette Davis, who often cited Dressler as an influence.
Remains an iconic figure in American cinema, with her legacy continuing to captivate audiences today.

Why They Are Widely Quoted or Remembered


--------------------------------------------

Marie Dressler's enduring popularity stems from a combination of factors:

Her remarkable talent and dedication to her craft earned her a reputation as one of the greatest actresses of her time.
Her larger-than-life personality, which endeared her to fans and critics alike.
The iconic status she achieved through her association with some of Hollywood's most notable studios and filmmakers.

As an actress, Marie Dressler continues to be remembered for her incredible range, captivating stage presence, and unforgettable film performances.

Quotes by Marie Dressler

By the time we've hit fifty, we have learned our hardest lessons.
"
By the time we've hit fifty, we have learned our hardest lessons.
To know that one has never really tried - that is the only death.
"
To know that one has never really tried - that is the only death.
Now I know that lawyers must live, but I’ve never been able to understand why they have to live so blamed well!
"
Now I know that lawyers must live, but I’ve never been able to understand why they have to live so blamed well!
To know that one has never really tried – that is the only death.
"
To know that one has never really tried – that is the only death.
If there’s one thing I know, it’s men. I ought to. It’s been my life’s work.
"
If there’s one thing I know, it’s men. I ought to. It’s been my life’s work.
I never weep over lost money, for I figure I’d rather go to the poorhouse once than go there every day.
"
I never weep over lost money, for I figure I’d rather go to the poorhouse once than go there every day.
By the time we’ve hit fifty, we have learned our hardest lessons.
"
By the time we’ve hit fifty, we have learned our hardest lessons.
I’ll have my double chins in privacy.
"
I’ll have my double chins in privacy.
I’m too homely for a prima donna and too ugly for a soubrette.
"
I’m too homely for a prima donna and too ugly for a soubrette.
That’s the unfortunate thing about death. It’s so terribly final.
"
That’s the unfortunate thing about death. It’s so terribly final.
Showing 1 to 10 of 47 results