MW

Marina Warner


Biography of a Pioneering Scholar and Writer

Full Name and Common Aliases

Marina Warner is a British scholar, writer, and broadcaster known for her work in literature, mythology, and art history. Her full name is Marina Tolstoy Warner.

Birth and Death Dates

Born on March 5, 1946, in London, England, Marina Warner is still active in her profession today, with no recorded date of death.

Nationality and Profession(s)

Marina Warner is a British national, holding dual citizenship (British and Cypriot) by birth. She is a renowned scholar, writer, and broadcaster, having worked as a professor, novelist, essayist, and cultural critic throughout her career.

Early Life and Background

Warner was born into a family of intellectuals and artists. Her father, Sir Pelham Lionel Tolstoy, was a British diplomat and a descendant of the Russian noble family of Tolstoy, while her mother, Elizabeth Charlotte "Baba" (née Gwynne), was an artist and a designer. Warner's early life was marked by a love for stories and imagination, influenced by her parents' cultural and artistic pursuits.

Warner received her education at Cheltenham Ladies' College and later studied English literature at New Hall, Cambridge University. Her academic journey laid the foundation for her future endeavors as a scholar and writer.

Major Accomplishments

Marina Warner's career spans multiple fields, including academia, writing, and broadcasting. She has held various prestigious positions:

Professor of English Literature: Warner was appointed professor at the University of Essex in 1973 and later became the first woman to hold the chair of English Literature at London University.
Fellowships and Honors: She has been a fellow of St Anne's College, Oxford, and has received numerous honors for her contributions to literature and education.
Literary Works: Warner has published several novels, including "The Skating Party" (1978) and "Indigo" (1992), as well as essay collections and art histories.

Warner's work on mythology and symbolism has been particularly influential in the fields of literature and cultural studies. Her writing often explores themes of identity, culture, and representation.

Notable Works or Actions

Some notable works by Marina Warner include:

"Alone of All Her Sex: The Myth and Cult of the Virgin Mary" (1976): This book is a seminal work on the mythology and symbolism surrounding the Virgin Mary.
"From the Beast to the Blonde: How Misogyny Became Visual Femininity" (1994): Warner's critical analysis of how misogyny has shaped Western culture.
"Monuments & Maidens: The Allegory of the Female Form" (1985): An exploration of the relationship between art and mythology.

Warner's work has also been recognized through various awards, including a National Book Award and a British Academy Fellowship.

Impact and Legacy

Marina Warner's impact on literature and academia cannot be overstated. Her pioneering work in the fields of mythology, symbolism, and representation has inspired generations of scholars and writers. Warner's commitment to promoting diversity and challenging stereotypes has helped shape the way we think about culture and identity.

Warner continues to write, lecture, and broadcast, inspiring audiences with her unique perspective on the world of art, literature, and history.

Why They Are Widely Quoted or Remembered

Marina Warner is widely quoted and remembered for several reasons:

Groundbreaking Scholarship: Her work in mythology and symbolism has been instrumental in shaping our understanding of culture and representation.
Influence on Feminist Theory: Warner's critiques of misogyny and her analysis of the female form have had a significant impact on feminist theory and practice.
* Pioneering Spirit: As one of the first women to hold a chair of English Literature at London University, Warner paved the way for future generations of scholars and writers.

Quotes by Marina Warner

Marina Warner's insights on:

I used to retain information extremely fast, so perhaps it’s hardening a bit and I don’t take the impression as well as I used to. Instead of writing in free flight, I had to check on the stories all the time. So I have decided I better to do it while I am fresh!
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I used to retain information extremely fast, so perhaps it’s hardening a bit and I don’t take the impression as well as I used to. Instead of writing in free flight, I had to check on the stories all the time. So I have decided I better to do it while I am fresh!
It’s a long time ago that I lost my faith in Mary, a long time since she was the fulcrum of the scheme of salvation I then believed in, alongside Jesus the chief redeemer. But I find that the symbolism of mercy and love which her figure has traditionally expressed has migrated and now shapes secular imagery and events; Catholic worship and moral teaching no longer monopolize it or control its significance.
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It’s a long time ago that I lost my faith in Mary, a long time since she was the fulcrum of the scheme of salvation I then believed in, alongside Jesus the chief redeemer. But I find that the symbolism of mercy and love which her figure has traditionally expressed has migrated and now shapes secular imagery and events; Catholic worship and moral teaching no longer monopolize it or control its significance.
The forest is where you are when your surroundings are not mastered.
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The forest is where you are when your surroundings are not mastered.
The sombre-suited masculine world of the Protestant religion is altogether too much like a gentlemen’s club to which the ladies are only admitted on special days.
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The sombre-suited masculine world of the Protestant religion is altogether too much like a gentlemen’s club to which the ladies are only admitted on special days.
Behind every book for young people and every global product of family entertainment, the hum of boardroom discussion about the politics of the work can be heard.
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Behind every book for young people and every global product of family entertainment, the hum of boardroom discussion about the politics of the work can be heard.
The tripartite structure – so you remember the third brother, second brother, first brother, or the first dervish, second dervish, and third dervish. This is very like embroidering a cloth, as you have to know where you are with the knots.
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The tripartite structure – so you remember the third brother, second brother, first brother, or the first dervish, second dervish, and third dervish. This is very like embroidering a cloth, as you have to know where you are with the knots.
Love can make you turn on yourself, and it can do harmful things to you. It’s a deep lesson in human psychology, as with many of the stories. Anyways, that’s just an example of one of the most wicked women in the Nights.
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Love can make you turn on yourself, and it can do harmful things to you. It’s a deep lesson in human psychology, as with many of the stories. Anyways, that’s just an example of one of the most wicked women in the Nights.
I shop online because I don’t like to try things on in front of an alien mirror.
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I shop online because I don’t like to try things on in front of an alien mirror.
Scheherazade, of course, was always in the back of my mind, because she’s also a storyteller identified as female who tells a lot of anti-female stories. There’s a parade in The Arabian Nights of sorceresses, adulteresses, ghouls, sirens, harridans.
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Scheherazade, of course, was always in the back of my mind, because she’s also a storyteller identified as female who tells a lot of anti-female stories. There’s a parade in The Arabian Nights of sorceresses, adulteresses, ghouls, sirens, harridans.
A society that doesn’t know any longer how to observe every death with proper rituals, that does not know that death is not the end, but only part of the journey, has lost its way, has had the very heart of its humanity torn out.
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A society that doesn’t know any longer how to observe every death with proper rituals, that does not know that death is not the end, but only part of the journey, has lost its way, has had the very heart of its humanity torn out.
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