MC

Mary Chapin Carpenter

108quotes

Mary Chapin Carpenter


Full Name and Common Aliases


Mary Chapin Carpenter is an American singer-songwriter known for her distinctive voice and introspective songwriting style.

Birth and Death Dates


Born on February 21, 1958, in Princeton, New Jersey. There is no public information available regarding her death date.

Nationality and Profession(s)


American nationality; singer-songwriter, musician.

Early Life and Background


Growing up in a family of artists and musicians, Carpenter was exposed to music from an early age. Her parents were both educators and encouraged her love for literature and poetry, which would later influence her songwriting style. She attended Princeton High School before moving to Virginia to attend the University of North Carolina.

Major Accomplishments


Carpenter's breakthrough album, Come On Come On, released in 1992, catapulted her to stardom with hits like "Passionate Kisses" and "He Thinks He'll Keep Her." She went on to release several critically acclaimed albums throughout the 1990s and 2000s, solidifying her reputation as a masterful storyteller through song. Carpenter's music often explores themes of love, politics, and personal growth, resonating with audiences across genres.

Notable Works or Actions


Some of Carpenter's most notable works include Stones in the Road (1994), which featured the Grammy-winning single "Shut Up and Kiss Me"; Party Doll and Other Favorites (2000); and Ragged but Right (2013), a collection of reworked songs from her early career. Her music has been praised for its poetic lyrics, soaring melodies, and eclectic blend of folk, rock, and country influences.

Impact and Legacy


As one of the most respected singer-songwriters of her generation, Carpenter's impact on contemporary music is undeniable. She has sold over 14 million albums worldwide and has won five Grammy Awards from 19 nominations. Her commitment to social justice and women's rights has made her a role model for young artists and fans alike.

Why They Are Widely Quoted or Remembered


Mary Chapin Carpenter is widely quoted and remembered for her poignant songwriting, which often explores themes of love, family, politics, and personal growth. Her ability to craft relatable characters and narratives through music has made her a beloved figure in the music world. As a strong advocate for social justice and women's rights, Carpenter continues to inspire audiences with her authentic voice and unwavering commitment to artistic integrity.

As an artist who has navigated multiple genres and defied conventions throughout her career, Mary Chapin Carpenter remains an influential force in contemporary music. Her dedication to storytelling through song has endeared her to fans worldwide, cementing her place as one of the most respected singer-songwriters of our time.

Quotes by Mary Chapin Carpenter

Mary Chapin Carpenter's insights on:

It's a pretty frantic world that we live in.
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It's a pretty frantic world that we live in.
MC
I was really young, but I can’t say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.
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I was really young, but I can’t say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.
MC
I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you’re told you play this note, this note, and this note, and you don’t vary it. I know that works great for some people. It wouldn’t work for me.
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I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you’re told you play this note, this note, and this note, and you don’t vary it. I know that works great for some people. It wouldn’t work for me.
MC
I certainly felt the desire to reach as many people as I could; I wanted to make the most of this opportunity, sure. But I wouldn’t call it pressure the way we’re thinking of it now.
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I certainly felt the desire to reach as many people as I could; I wanted to make the most of this opportunity, sure. But I wouldn’t call it pressure the way we’re thinking of it now.
MC
I’m a bit of a perfectionist. I want to try it again and again, and a lot of times my fellow musicians have to hold me back and say, “Nah, I think we got it.”
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I’m a bit of a perfectionist. I want to try it again and again, and a lot of times my fellow musicians have to hold me back and say, “Nah, I think we got it.”
MC
In the late 80s, artists could be signed to labels and be nurtured. It wasn’t, “We’re going to give you one shot, and if you don’t measure up, you’re gone”.
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In the late 80s, artists could be signed to labels and be nurtured. It wasn’t, “We’re going to give you one shot, and if you don’t measure up, you’re gone”.
MC
I think topical songwriting is a real gift, and it’s hard not to be pedantic and show up with the sledgehammer message.
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I think topical songwriting is a real gift, and it’s hard not to be pedantic and show up with the sledgehammer message.
MC
20-some years ago, I’d have a big old radio with a tape deck, and I’d hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.
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20-some years ago, I’d have a big old radio with a tape deck, and I’d hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.
MC
The bedrock thing of country music is, it’s about storytelling. I feel like I was able to find a niche because I connected to that in some way.
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The bedrock thing of country music is, it’s about storytelling. I feel like I was able to find a niche because I connected to that in some way.
MC
I don’t really remember my folks singing to us, but they read to us.
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I don’t really remember my folks singing to us, but they read to us.
MC
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