Max Jacob
Max Jacob
Full Name and Common Aliases
Max Jacob was a French poet, painter, and writer, best known for his contributions to the Surrealist movement. His full name was Maximilien François Joseph Jacob, but he is commonly referred to as Max Jacob.
Birth and Death Dates
Max Jacob was born on December 10, 1876, in Quimper, France, and passed away on March 5, 1944, at the age of 67. He spent most of his life in Paris, where he became an integral part of the city's artistic and literary scene.
Nationality and Profession(s)
Jacob was a French citizen by birth and is widely regarded as one of the most important French poets of the 20th century. In addition to being a poet, Jacob was also a talented painter, and his artwork has been exhibited in various galleries across Europe.
Early Life and Background
Max Jacob was born into a family of modest means. His father was a merchant, and his mother was from a family of artists. From an early age, Jacob showed a keen interest in the arts, and he spent much of his childhood drawing and painting. He attended school in Quimper before moving to Paris to study art at the École des Beaux-Arts.
Major Accomplishments
Jacob's most significant contribution to the world of literature is his poetry. His first collection of poems, "La Livrée de Bonaparte," was published in 1909 and received critical acclaim. He went on to publish several more collections throughout his life, including "Le Roi des consolations" (1916) and "Les Frères ennemis" (1937). Jacob's poetry is characterized by its lyricism, spirituality, and exploration of themes related to love, death, and the human condition.
Notable Works or Actions
In addition to his poetry, Jacob was also a talented painter. His artwork has been exhibited in galleries across Europe, including the Musée d'Orsay in Paris. One of his most notable works is "Le Christ mort" (1925), a painting that showcases his unique blend of realism and surrealism.
Impact and Legacy
Max Jacob's impact on 20th-century literature cannot be overstated. He was a key figure in the Surrealist movement, alongside artists such as André Breton and Salvador Dalí. His poetry and artwork continue to inspire artists and writers around the world today. Jacob's legacy extends beyond his artistic contributions; he was also known for his kindness and generosity towards other artists, often providing them with financial support and encouragement.
Why They Are Widely Quoted or Remembered
Max Jacob is widely quoted and remembered for his profound insights into the human condition. His poetry and artwork offer a unique perspective on life, love, and death, and continue to resonate with readers and viewers today. Jacob's quotes are often used in contexts related to spirituality, art, and literature, serving as reminders of the importance of creativity, imagination, and self-expression.
As an artist and writer, Max Jacob left an indelible mark on the world. His contributions to the Surrealist movement and his unique blend of poetry and painting continue to inspire artists and writers today. Through his artwork and writing, Jacob offers a powerful reminder of the importance of living life to the fullest, embracing creativity and imagination, and finding meaning in the human experience.
Quotes by Max Jacob
We don’t know very well those we love But I understand them fairly well Being all these people myself I who am however but a baboon.
The poet’s expression of joy conceals his despair at not having found the reality of joy.

Man is a venerating animal. He venerates as easily as he purges himself. When they take away from him the gods of his fathers, he looks for others abroad.
Cubism is ... a picture for its own sake. Literary Cubism does the same thing in literature, using reality merely as a means and not as an end.
The poet's expression of joy conceals his despair at not having found the reality of joy.
What is called a sincere work is one that is endowed with enough strength to give reality to an illusion.
Cubism is ... a picture for its own sake.Literary Cubism does the same thing in literature, using reality merely as a means and not as an end.