When I was in my early to mid-teens, that was a very heavy diet of science fiction and fantasy, so those were the kinds of books I tended to imagine writing someday, or even began to try to write.

I have a good memory for words, and when I come upon a word I don't know, I remember it, or try to - it's almost like a tic. I also just have a good feeling for how words are made and formed in English and the etymologies that give you prefixes and suffixes.

I'm a big fan of Tarantino's work, and I think I'm fascinated by his evident sense of entitlement to use black characters and black material that he feels not simply comfortable with, but that it's his right and privilege - the apparent ease with which he handles black characters, fully aware that he's been criticized for that, too.

It's always thrilling to encounter the sweep of time in a work of fiction in a way that feels authentic and real.

I work at night, starting at around 10 o'clock and working until 2 or 3 in the morning. I do that usually five days a week. In Berkeley, I have an office behind our house that I share with my wife, who works more in the daytime.

I abandoned my second novel completely. Writing 'Kavalier & Clay,' I had several moments of utter collapse. Same with 'The Yiddish Policemen's Union.'

God, I just love 'A Journey to the End of the Millennium,' by A. B. Yehoshua. My favorite novel by an American Jew is probably 'Humboldt's Gift.'

I grew up in Columbia, Maryland, a planned community built during the sixties. During the early years, it was very integrated. I grew up being taught by black teachers with black principals and vice principals and, you know, a lot of black friends. We played in mixed groups, and I kind of thought that was how it was.

Nothing ever comes out the way I hope it will. That first vision, that initial vision you have of a book, what it's going to be like when it's done, it begins to go wrong the second you start to write.

I am a huge, raving fan of writer Matt Fraction. His semi-indie 'Casanova' series is an ongoing masterpiece of 21st-century American comics - and his run on 'Immortal Iron Fist' with Ed Brubaker was pure, yummy martial-arts-fantasy deliciousness.