Michael Gracey
Michael Gracey
Full Name and Common Aliases
Michael Gracey is a renowned Australian film director, known for his work in the music video industry and feature films.
Birth and Death Dates
Born on June 21, 1965, there is limited information available regarding Michael's death date.
Nationality and Profession(s)
Australian
Director, Film Director
Early Life and Background
Growing up in a family of artists and creatives, Michael was exposed to the world of filmmaking from an early age. He began his career as a dancer and choreographer before transitioning into directing music videos. This experience would later serve him well in crafting visually stunning films.
Major Accomplishments
Michael's accomplishments include directing several notable music videos for artists such as Madonna, U2, and Coldplay. His work on the feature film "The Greatest Showman" (2017) earned him a Primetime Emmy Award nomination for Outstanding Directing for a Variety Special.
Notable Works or Actions
The Greatest Showman (2017) - directed by Michael Gracey
Madonna: Ray of Light (1998) - music video directed by Michael Gracey
* U2: Elevation (2001) - music video directed by Michael Gracey
Impact and Legacy
Michael's impact on the film industry can be seen in his ability to seamlessly blend music, dance, and storytelling. His work has inspired a new generation of filmmakers and continues to captivate audiences worldwide.
Why They Are Widely Quoted or Remembered
As a masterful storyteller and visual artist, Michael Gracey is widely quoted and remembered for his innovative approach to filmmaking. His ability to balance music, dance, and drama has left an indelible mark on the industry, earning him recognition as one of its most talented directors.
Quotes by Michael Gracey
I really believe in the power of cinema, and with it comes a responsibility to impart some sort of message for the better.
The rehearsal process is the biggest gift you can give to the director and to yourself as an actor because it allows you to shape the character and the scenes.
The biggest thing is to overcommunicate your vision. It's so important to have real clarity as to what is inside your head, and sometimes that's really terrifying for people.
Whether a film is breaking into song and dance or if it's something like 'Whiplash,' I find it incredibly rewarding, and I'm drawn to those stories with a musical component.
There's something really special when you take an audience and instead of just being passive and watching, you invite them to participate.
To get 'The Greatest Showman' greenlit, we had to get everyone into New York City to hear a read through, where we'd read through the script and sing it.
Everyone knows and loves Elton John's music, but the true story of his life is so incredible that it can only be described as a fantasy.
I'm as thrilled watching Mark Rylance do Shakespeare as I am watching 'The Book of Mormon.'
It's really strange, this thing where people are like, 'I'm not into musicals' but so many people who have said that to me, I've taken to shows and watched their faces radiate.