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Michael Tippett: A Life of Music and Vision


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Full Name and Common Aliases

Michael Kemp Tippett was born on January 2, 1905, in London, England. He is commonly known as Sir Michael Tippett.

Birth and Death Dates

Born: January 2, 1905
Died: January 8, 1998

Nationality and Profession(s)

Tippett was a British composer of classical music, with a nationality that played a significant role in shaping his unique style. His profession as a composer spanned over six decades, during which he created numerous works that continue to captivate audiences worldwide.

Early Life and Background


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Growing up in London's East End, Tippett was exposed to the city's vibrant cultural scene from an early age. He developed a passion for music, which led him to study at the Royal College of Music. However, it was his experience as a clerk in a shipping firm that eventually influenced the themes and characters in some of his most famous works.

Tippett's interest in art, literature, and politics also played a significant role in shaping his artistic vision. He was particularly drawn to the works of Shakespeare, Goethe, and Tolstoy, whose influence can be seen in many of his compositions. His experiences during World War I and II further shaped his perspective on humanity and its place in society.

Major Accomplishments


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Tippett's career as a composer is marked by numerous accomplishments, including:

Creating over 20 operas, which are widely regarded for their innovative storytelling and musical complexity
Writing symphonies, chamber music, and choral works that showcase his mastery of various genres
Developing a unique compositional style that blends elements of modernism and romanticism

Notable Works or Actions

Some of Tippett's most notable works include:

The Midsummer Marriage (1955), an opera that showcases the composer's ability to weave together disparate musical styles and themes
King Priam (1962), a work that explores the psychological complexities of human relationships through the lens of ancient Greek mythology
A Child of Our Time (1939-1941, revised 1954), an oratorio that reflects on the horrors of racism and oppression

Tippett's compositional process was marked by meticulous attention to detail and a willingness to experiment with new ideas. His collaborations with artists such as choreographer Frederick Ashton and librettist Stephen Oliver resulted in some of his most memorable works.

Impact and Legacy


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Tippett's impact on the world of classical music is immeasurable. He has inspired generations of composers, including notable figures such as Benjamin Britten and Harrison Birtwistle. His commitment to exploring new themes and ideas has pushed the boundaries of musical expression.

Why They Are Widely Quoted or Remembered

Tippett's quotes and writings often reflect his deep concern for humanity and its place in society. He believed that music had the power to transform lives, saying, "The arts are not a luxury, they're essential to human existence." His emphasis on the importance of art as a reflection of human experience has resonated with audiences worldwide.

In conclusion, Michael Tippett was a composer who left an indelible mark on the world of classical music. Through his innovative works and unwavering commitment to artistic expression, he continues to inspire and captivate audiences around the globe.

Quotes by Michael Tippett

Characters are an extreme form in Shakespeare’s theater.
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Characters are an extreme form in Shakespeare’s theater.
Conductors don’t suffer, they are part of the performance.
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Conductors don’t suffer, they are part of the performance.
I’ve seldom become nostalgic or settled.
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I’ve seldom become nostalgic or settled.
I’m outside the music I’ve made. I have no interest in it.
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I’m outside the music I’ve made. I have no interest in it.
The blues are like the fugue in 18th century. It’s probably the music that belongs most to our time.
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The blues are like the fugue in 18th century. It’s probably the music that belongs most to our time.
The Greek sculptor – I don’t think he was very different from any of us.
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The Greek sculptor – I don’t think he was very different from any of us.
Music remains the most strange of the materials because we don’t understand what happens when music moves you.
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Music remains the most strange of the materials because we don’t understand what happens when music moves you.
Music is a performing art, as any Native American will tell you. It isn’t there in the score.
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Music is a performing art, as any Native American will tell you. It isn’t there in the score.
I think we’re all pretty odd.
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I think we’re all pretty odd.
I think we're all pretty odd.
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I think we're all pretty odd.
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