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Nina Tassler

120quotes

Nina Tassler: A Trailblazing Executive in Television History


Full Name and Common Aliases


Nina Tassler is a well-known American television executive who has made significant contributions to the industry.

Birth and Death Dates


Born on December 3, 1960, in New York City. Currently active and not deceased.

Nationality and Profession(s)


Tassler is an American television producer, executive, and former President of CBS Entertainment.

Early Life and Background


Nina Tassler grew up in a family that encouraged her creative pursuits from a young age. Her father was a journalist, and her mother worked as an editor for a publishing company. This exposure to the media industry likely influenced Tassler's decision to pursue a career in television.

Tassler attended New York University's Gallatin School of Individualized Study, where she studied politics, business, and communications. After graduating, she began her career in television as an assistant to Dick Wolf, a renowned producer known for his work on "Law & Order."

Major Accomplishments


Nina Tassler's career in television spans over three decades, with numerous accolades and achievements to her name. Some of her most notable accomplishments include:

Serving as the President of CBS Entertainment from 2012 to 2017
Overseeing hit shows such as "NCIS," "The Good Wife," and "Hawaii Five-0"
Playing a key role in developing successful series like "Elementary" and "Blue Bloods"

Notable Works or Actions


Tassler's impact on television is evident through her work on various projects. Some notable examples include:

Her efforts to increase diversity behind the camera, leading to a more inclusive representation of underrepresented groups in the industry
Her commitment to creating content that resonates with diverse audiences, such as "NCIS: New Orleans" and "SWAT"
Her leadership in developing shows that tackle complex social issues, like "The Good Wife's" portrayal of women in law

Impact and Legacy


Nina Tassler's legacy is marked by her dedication to the television industry. Her contributions have helped shape the landscape of modern television.

Her commitment to diversity and inclusion has paved the way for future generations of executives and producers. As a result, audiences are now able to enjoy more diverse and representative content on screen.

Why They Are Widely Quoted or Remembered


Tassler's expertise and insights on the television industry make her a sought-after speaker and consultant. Her quotes and interviews often appear in publications such as The Hollywood Reporter and Variety.

Her dedication to the craft of television production, combined with her passion for promoting diversity and inclusion, has cemented her status as a respected leader in the industry.

Quotes by Nina Tassler

Nina Tassler's insights on:

I love to watch documentaries on The History Channel and TLC.
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I love to watch documentaries on The History Channel and TLC.
There's always a knee-jerk reaction in our business to analyze and determine why something didn't work.
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There's always a knee-jerk reaction in our business to analyze and determine why something didn't work.
Creative drives our business; the business doesn't drive the creative.
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Creative drives our business; the business doesn't drive the creative.
I want to hear Damon Lindelof complain about broadcast when he goes to the bank to cash his 'Lost' checks.
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I want to hear Damon Lindelof complain about broadcast when he goes to the bank to cash his 'Lost' checks.
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
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Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
18-to-49 can only be part of the story. There are many more metrics.
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18-to-49 can only be part of the story. There are many more metrics.
Women drive network television.
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Women drive network television.
I love musicals. I'm a big 'Glee' watcher.
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I love musicals. I'm a big 'Glee' watcher.
Television's an intimate medium. It's in our living rooms. It's in our bathrooms. It's in our bedrooms - and we respect that.
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Television's an intimate medium. It's in our living rooms. It's in our bathrooms. It's in our bedrooms - and we respect that.
Audiences need to engage with characters.
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Audiences need to engage with characters.
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