PL

Patrice Leconte


================

Full Name and Common Aliases

Patrice Leconte was a French film director, screenwriter, and producer. He is often referred to by his given name, Patrice.

Birth and Death Dates

Born on November 12, 1945, in Paris, France, Patrice Leconte passed away on July 7, 2021, at the age of 75.

Nationality and Profession(s)

Patrice Leconte was a French national, renowned for his work as a film director, screenwriter, and producer. He is best known for his distinctive style, which blended elements of comedy, drama, and social commentary.

Early Life

Leconte's childhood was marked by a love for cinema. Growing up in post-war France, he was exposed to the works of Charlie Chaplin and other silent film legends. This early influence would later shape his own filmmaking style. Leconte studied at the prestigious École des Beaux-Arts in Paris before embarking on a career in advertising. However, it wasn't long before he turned to filmmaking full-time.

Major Accomplishments

Throughout his illustrious career, Patrice Leconte helmed over 30 films and television productions. Some of his most notable works include Monsieur Hire (1989), The Hairdresser's Husband (1990), and The Woman of My Life (2006). His films often explored the human condition, delving into themes such as love, relationships, and social class.

Notable Works or Actions

Leconte's most famous film is arguably Monsieur Hire, a 1989 drama starring Michel Blanc. The movie tells the story of a lonely, middle-aged tailor who becomes embroiled in a murder mystery. This critically acclaimed film earned Leconte his first César Award nomination for Best Director.

In addition to directing and writing, Leconte was also an accomplished producer. He co-founded the production company Ciné Tamaris with fellow filmmaker Pascal Bonitzer in 1985. Through this venture, he produced several of his own films as well as those of other notable directors.

Impact and Legacy

Patrice Leconte's influence on French cinema is undeniable. His unique style has inspired a generation of filmmakers, including prominent names like Jean-Pierre Jeunet and Michel Gondry. Leconte's dedication to exploring the complexities of human relationships has made his films relatable and thought-provoking.

Why They Are Widely Quoted or Remembered

Leconte's quotes often reflected his witty, satirical take on life. He was known for saying that "the most important thing in filmmaking is not what you say but how you say it." This philosophy encapsulated his approach to storytelling, which prioritized nuance and subtlety over grand gestures.

Patrice Leconte's passing was met with widespread tributes from the film community. Tributes poured in from French president Emmanuel Macron, who hailed him as a "great artist" who left an indelible mark on French cinema.

Quotes by Patrice Leconte

I’m not one to dwell on rehearsal or preparation.
"
I’m not one to dwell on rehearsal or preparation.
As a spectator, I have very eclectic taste, whether it’s comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.
"
As a spectator, I have very eclectic taste, whether it’s comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.
If a film is very clever and well-written, that’s what gives you freedom as a director.
"
If a film is very clever and well-written, that’s what gives you freedom as a director.
I think the best thing I learned from drawing comics is that it’s a great exercise in concision.
"
I think the best thing I learned from drawing comics is that it’s a great exercise in concision.
You may think it’s very presumptuous, but I really hope that my movies are going to turn people into better people.
"
You may think it’s very presumptuous, but I really hope that my movies are going to turn people into better people.
I’m not one to dwell on rehearsal or preparation. I like to just go out and do it. Of course, that doesn’t mean actors are free to do whatever they like, they’re always being directed.
"
I’m not one to dwell on rehearsal or preparation. I like to just go out and do it. Of course, that doesn’t mean actors are free to do whatever they like, they’re always being directed.
My movies are, more or less, very short. I’m terrified of boring an audience.
"
My movies are, more or less, very short. I’m terrified of boring an audience.
No, but it’s not because I’m getting older that I’m trying to accelerate. But something very curious is happening: The older I get, the more ideas I’m getting.
"
No, but it’s not because I’m getting older that I’m trying to accelerate. But something very curious is happening: The older I get, the more ideas I’m getting.
But I won’t work with the exact same crew film after film because I feel the work would get a little complacent.
"
But I won’t work with the exact same crew film after film because I feel the work would get a little complacent.
I did the drawing and writing – for five years. I made a lot of short films the whole while and I made a promise to myself in front of the mirror that I would stop drawing when I signed my first contract for a feature film.
"
I did the drawing and writing – for five years. I made a lot of short films the whole while and I made a promise to myself in front of the mirror that I would stop drawing when I signed my first contract for a feature film.
Showing 1 to 10 of 45 results