Patricia MacLachlan


Full Name and Common Aliases


Patricia MacLachlan was born on March 3, 1931, in Cheyenne, Wyoming, to a family of modest means. Her parents, both educators, instilled in her a love for reading and writing from an early age.

Birth and Death Dates


March 3, 1931 – March 3, 2018

Nationality and Profession(s)


American author of children's literature, novelist, poet, and educator.

Early Life and Background


Growing up during the Great Depression had a profound impact on MacLachlan's worldview. Her family's financial struggles led her to develop a strong sense of resourcefulness and empathy for those less fortunate. These formative experiences would later shape her writing style and thematic focus on social justice, community, and resilience.

MacLachlan's love affair with words began at home, where she devoured books from her parents' library. She was particularly drawn to the works of classic authors like Jane Austen and the Brontë sisters. As she grew older, her passion for writing only intensified, with a particular emphasis on crafting stories that celebrated the human spirit.

Major Accomplishments


Throughout her illustrious career, MacLachlan achieved numerous accolades and awards. Her most notable works include:

"Sarah Plain and Tall" (1985): This Newbery Medal-winning novel tells the story of a young girl's journey to find her family and establish a new home in the American West.
"Strider" (1991): A poignant tale about a boy struggling with his own identity, this book has become a beloved favorite among readers.

Notable Works or Actions


MacLachlan's writing often explores complex themes like loss, grief, and social responsibility. Her ability to tackle these subjects with sensitivity and nuance earned her widespread recognition within the literary community.

In addition to her fiction work, MacLachlan was also a dedicated educator and advocate for children's literacy programs. She believed that reading and writing were essential tools for fostering creativity, empathy, and understanding in young minds.

Impact and Legacy


Patricia MacLachlan's impact on children's literature is immeasurable. Her stories have captured the hearts of readers worldwide, providing a reflection of their own experiences and emotions. By tackling tough subjects with compassion and insight, she has inspired generations to explore their own creativity and empathy.

MacLachlan's legacy extends beyond her written works. She paved the way for future authors to tackle complex themes in children's literature, demonstrating that even the most sensitive topics can be approached with sensitivity and nuance.

Why They Are Widely Quoted or Remembered


Patricia MacLachlan is widely quoted and remembered for her ability to craft stories that resonate deeply with readers. Her commitment to exploring tough subjects like loss, grief, and social responsibility has earned her a reputation as one of the most respected voices in children's literature.

Through her work, she continues to inspire young minds to explore their own creativity, empathy, and understanding. As we reflect on her life and legacy, it becomes clear that Patricia MacLachlan's impact will be felt for generations to come.

Quotes by Patricia MacLachlan

I love to talk to children about making mistakes. It's important that I tell them about how I don't get it right the first time. We live in such a perfectionist society, and they see so many finished products and polished performances.
"
I love to talk to children about making mistakes. It's important that I tell them about how I don't get it right the first time. We live in such a perfectionist society, and they see so many finished products and polished performances.
I never work from an outline, and often I don't know how the story will end.
"
I never work from an outline, and often I don't know how the story will end.
I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
"
I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
Poets and children,” said Sylvan. “We are the same really. When you can’t find a poet, find a child. Remember that.
"
Poets and children,” said Sylvan. “We are the same really. When you can’t find a poet, find a child. Remember that.
It’s WA today, Minna,” called Orson from across the room, Orson’s name for Wolfgang Amadeus Mozart. Orson played second violin with a sloppy serenity, rolling his eyes and sticking out his tongue, his bowing long and sweeping and beautiful even when out of tune. “If you must make a mistake,” he had quoted, “make it a big one.” Was it Heifetz who had said it? Perlman? Zukerman maybe?
"
It’s WA today, Minna,” called Orson from across the room, Orson’s name for Wolfgang Amadeus Mozart. Orson played second violin with a sloppy serenity, rolling his eyes and sticking out his tongue, his bowing long and sweeping and beautiful even when out of tune. “If you must make a mistake,” he had quoted, “make it a big one.” Was it Heifetz who had said it? Perlman? Zukerman maybe?
At last Porch explodes. “I feel like I’m walking four dogs at the same time,” he says loudly. “One short-legged, one long-legged, one old and decrepit, and one just plain foolish!” He points at Orson. “You are not listening. Imelda, you are in love with your vibrato. Minna and Lucas, your minds are elsewhere. Up, up!” Porch waves his arms.
"
At last Porch explodes. “I feel like I’m walking four dogs at the same time,” he says loudly. “One short-legged, one long-legged, one old and decrepit, and one just plain foolish!” He points at Orson. “You are not listening. Imelda, you are in love with your vibrato. Minna and Lucas, your minds are elsewhere. Up, up!” Porch waves his arms.
There are no words for this.
"
There are no words for this.
Dogs speak words, but only poets and children Hear.
"
Dogs speak words, but only poets and children Hear.
You have a story in there, Lucy,” she said, touching my head. “Or a character, a place, a poem, a moment in time. When you find it, you will write it. Word after word after word after word,” she whispered.
"
You have a story in there, Lucy,” she said, touching my head. “Or a character, a place, a poem, a moment in time. When you find it, you will write it. Word after word after word after word,” she whispered.
There is a joy... in creating surprising insight into a character. The characters in my books become, for me, good friends, extended family members, or the brothers and sisters I never had. Books affect lives, especially children’s lives, because children have a genuine belief in the truth of stories, the ultimate gift for the writer. It’s a shared gift – from writer to reader and back again.
"
There is a joy... in creating surprising insight into a character. The characters in my books become, for me, good friends, extended family members, or the brothers and sisters I never had. Books affect lives, especially children’s lives, because children have a genuine belief in the truth of stories, the ultimate gift for the writer. It’s a shared gift – from writer to reader and back again.
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