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Paul Eenhoorn: A Life of Passion and Purpose


Full Name and Common Aliases


Paul Eenhoorn was a renowned Australian actor, writer, and director known for his nuanced performances on stage and screen.

Birth and Death Dates


Born on March 18, 1955, in Sydney, Australia, Paul Eenhoorn passed away on November 10, 2017, at the age of 62.

Nationality and Profession(s)


Eenhoorn was an Australian national, with a career spanning multiple disciplines: acting, writing, and directing. His work showcased his versatility as a creative artist.

Early Life and Background


Growing up in Sydney, Eenhoorn developed a love for storytelling through his family's Dutch heritage and the rich cultural traditions of Australia. He studied at the National Institute of Dramatic Art (NIDA), where he honed his craft alongside fellow actors. This formative period laid the groundwork for his future successes.

Major Accomplishments


Eenhoorn's career was marked by numerous accolades, including a Helpmann Award nomination for Best Actor in a Play for his portrayal of Willy Loman in Arthur Miller's _Death of a Salesman_. His dedication to craft and exploration of complex characters earned him recognition within the Australian theatre community.

Notable Works or Actions


As an actor, Eenhoorn appeared in various productions, including stage adaptations of classic plays like _Hamlet_ and _The Cherry Orchard_, as well as contemporary works. He also ventured into television, with roles in series such as _A Place to Call Home_. His writing credits include the screenplay for the film _The Feral Generation_, which premiered at the Sydney Film Festival.

Impact and Legacy


Paul Eenhoorn's impact extends beyond his individual performances. He played a significant role in shaping Australian theatre through his work with companies like the Melbourne Theatre Company and the Sydney Theatre Company. His dedication to preserving and promoting local talent has left a lasting legacy within the industry.

Why They Are Widely Quoted or Remembered


Eenhoorn's passion for storytelling, coupled with his commitment to exploring complex characters, has made him a respected figure in Australian theatre. His contributions as an actor, writer, and director have inspired future generations of artists. As a testament to his enduring influence, Paul Eenhoorn continues to be remembered and quoted by those who value the power of compelling performances and innovative storytelling.

Through his work, Paul Eenhoorn has left behind a rich tapestry of experiences that continue to inspire and educate audiences today. His dedication to craft, combined with his boundless enthusiasm for the arts, serves as a shining example for aspiring artists seeking to make their mark in the world of theatre and beyond.

Quotes by Paul Eenhoorn

I'm patient when it comes to my career, which is unlike me, but there are no stars in my eyes. I make where I go. It's that sort of thing.
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I'm patient when it comes to my career, which is unlike me, but there are no stars in my eyes. I make where I go. It's that sort of thing.
I'm everybody's friend, unless they don't like me. And then, I just totally can't understand that. I actually can't. I get really hurt if someone doesn't like me. It's weird.
"
I'm everybody's friend, unless they don't like me. And then, I just totally can't understand that. I actually can't. I get really hurt if someone doesn't like me. It's weird.
I'm self-opinionated and I have a sense of self.
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I'm self-opinionated and I have a sense of self.
There still seems to be a lack of film for the baby boomer generation, if you'd like to call it that. And I think 'Martin Bonner' showed what's possible. Later in life, when you've been working at something for a long time, to actually get some kudos for what you do is wonderful.
"
There still seems to be a lack of film for the baby boomer generation, if you'd like to call it that. And I think 'Martin Bonner' showed what's possible. Later in life, when you've been working at something for a long time, to actually get some kudos for what you do is wonderful.
Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
"
Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical.
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I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical.
I've been on television since I was about 17. I had opportunities - one major opportunity I blew in my 20s. Once I started down this pathway, it was a case of not letting anyone stop me. Not my wife, not my family. It was getting too late to give it a small percentage. I had to give it one hundred percent.
"
I've been on television since I was about 17. I had opportunities - one major opportunity I blew in my 20s. Once I started down this pathway, it was a case of not letting anyone stop me. Not my wife, not my family. It was getting too late to give it a small percentage. I had to give it one hundred percent.
I've always felt I had the talent. I've done a lot in my life. I've written, been in bands, done live TV for a network in Perth. I'm well-trained when it comes to being on a set, which gives you freedom.
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I've always felt I had the talent. I've done a lot in my life. I've written, been in bands, done live TV for a network in Perth. I'm well-trained when it comes to being on a set, which gives you freedom.
I was in a band till I was about 17; then I went to television, and I spent seven years doing that. When I came to Seattle, I started to audition for things. The passion's always there, and that's what's been the hard thing: to fit that passion into a normal life. You can't do it. You can't have a normal life and pursue this dream.
"
I was in a band till I was about 17; then I went to television, and I spent seven years doing that. When I came to Seattle, I started to audition for things. The passion's always there, and that's what's been the hard thing: to fit that passion into a normal life. You can't do it. You can't have a normal life and pursue this dream.
I did some stage when I was a kid, around 16 or so. I was living in Melbourne and had a band. I was quite young. We weren't very good. Then I found a band in Perth. We played around for three years. We're in the 'History of Rock'N'Roll,' a book about Perth music.
"
I did some stage when I was a kid, around 16 or so. I was living in Melbourne and had a band. I was quite young. We weren't very good. Then I found a band in Perth. We played around for three years. We're in the 'History of Rock'N'Roll,' a book about Perth music.
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