Paul Taylor
Paul Taylor
================
Full Name and Common Aliases
---------------------------
Paul Taylor was a renowned British choreographer, dancer, and teacher. His full name is Pauline Taylor, but he went by the name Paul.
Birth and Death Dates
-----------------------
Born on January 29, 1930, in Epsom, Surrey, England, Paul Taylor passed away on March 29, 2018.
Nationality and Profession(s)
-----------------------------
Taylor was a British citizen and worked as a choreographer, dancer, and teacher.
Early Life and Background
---------------------------
Paul Taylor grew up in a family of modest means. His father was a salesman, and his mother was a homemaker. He developed an interest in dance at an early age, attending the Vic-Wells Ballet School (now known as the Royal Academy of Dance) on a scholarship.
Taylor's early life was marked by physical hardships. As a young child, he suffered from polio, which left him with a limp and required extensive physiotherapy. Despite these challenges, Taylor persevered, eventually joining the Vic-Wells Ballet in 1946 at the age of 16.
Major Accomplishments
-------------------------
Taylor's most significant achievement was founding his own dance company, Paul Taylor Dance Company, in 1954. This organization has continued to thrive under his leadership and has become one of the world's leading modern dance companies.
Throughout his career, Taylor choreographed over 140 works for various companies, including the New York City Ballet and the Martha Graham Dance Company. Some of his notable pieces include "Scudorama" (1963), "Aurora" (1982), and "Esplanade" (1975).
Taylor was also a dedicated teacher, teaching at institutions such as the Bennington College Summer Session and the Paul Taylor Master Teachers program.
Notable Works or Actions
---------------------------
In addition to his work with his dance company, Taylor collaborated with numerous artists, including musicians, visual artists, and writers. These collaborations led to innovative and groundbreaking works that expanded the boundaries of modern dance.
Some notable examples include "Company B" (1983), a collaboration with jazz musician William "Bobby" Bradford; "Red Blue Green" (1971), which incorporated music by composer Gunther Schuller; and " Esplanade," set to music by Philip Glass.
Impact and Legacy
----------------------
Taylor's impact on modern dance cannot be overstated. His work has influenced generations of choreographers, dancers, and teachers worldwide. His ability to blend the abstract with the narrative and his use of everyday movements have left a lasting legacy in the world of dance.
Throughout his career, Taylor received numerous awards for his contributions to dance, including multiple Emmy Awards and a MacArthur Fellowship. He was also awarded an honorary doctorate from Yale University and was named an Honorary Member of the Royal Academy of Dance.
Why They Are Widely Quoted or Remembered
------------------------------------------
Taylor is widely remembered and quoted for his insightful comments on dance and its role in society. His commitment to pushing the boundaries of modern dance has left a lasting impact on the world of art and culture.
His ability to convey complex ideas about movement, music, and collaboration has made him a beloved figure among dancers, choreographers, and artists. Taylor's quotes are often cited for their wisdom, wit, and poetic language, offering valuable insights into the creative process and the role of dance in society.
Quotes by Paul Taylor

I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance.

A lot of people are doing something about their weight, but by their own reckoning, it isn't enough to get the results they want.

I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level.

I know I can’t do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level.

A lot of people are doing something about their weight, but by their own reckoning, it isn’t enough to get the results they want.

Ford can’t sell trucks currently, and GM is not selling as many cars as it would like to. That is a problem of product and pricing, not a systemic problem of abandonment by consumers.

I want to build a studio in my backyard. The interest rates are low now, so who knows.

I don’t really think about dance except just before rehearsals start. I put it off. I don’t live my life thinking about dance.

If I didn’t have the reverb I’d be an unhappy camper. So I want reverb in my monitor mix. Reverb and a good level in my monitor and I’m all set.
