Paulette Jiles
Paulette Jiles: A Masterful Weaver of Words
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Full Name and Common Aliases
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Paulette Jiles is an American poet, novelist, and translator, best known for her lyrical and evocative writing style.
Birth and Death Dates
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Born on January 14, 1945, Paulette Jiles has lived a long and fulfilling life, still active in the literary world today.
Nationality and Profession(s)
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A native of the United States, Paulette Jiles is a poet, novelist, and translator. Her work spans multiple genres, including poetry, fiction, and nonfiction.
Early Life and Background
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Paulette Jiles was born in Martin, Texas, to German-American parents. Growing up on a farm in rural Texas, she developed a deep appreciation for the natural world and its rhythms. This connection would later find expression in her writing. After high school, Jiles attended the University of Houston, where she began to explore her creative voice.
Major Accomplishments
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Jiles's writing career has been marked by numerous accolades and awards. Her poetry collections, such as _Misterios_ (1994) and _Caille Millner's The Last Taste of Sweetness_ (2001), have garnered critical acclaim for their lyricism and emotional depth. As a novelist, Jiles has made significant contributions to the literary world with works like _North Country_ (2015) and _Enlightenment of the Greengage Walking Stick_ (2020).
Notable Works or Actions
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Paulette Jiles's writing often explores themes of identity, culture, and the human condition. Her poetry is characterized by its accessibility, while her novels often delve into complex historical and social issues. Some of her most notable works include:
_Misterios_ (1994): A collection of poems that explore the mysteries of life and love.
_Caille Millner's The Last Taste of Sweetness_ (2001): A poetry collection that examines themes of identity, culture, and belonging.
* _North Country_ (2015): A novel set during the Great Depression, which explores the lives of working-class people.
Impact and Legacy
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Paulette Jiles's impact on the literary world is undeniable. Her writing has been praised for its lyrical beauty, emotional depth, and nuanced exploration of complex themes. As a poet and novelist, she continues to inspire readers with her unique voice and perspective.
Why They Are Widely Quoted or Remembered
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Paulette Jiles's work is widely quoted and remembered due to its accessibility, depth, and relevance to the human experience. Her writing has been praised for its ability to capture the essence of life in all its complexity, making her a beloved figure in the literary world.
About this quote collection
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This collection of quotes by and about Paulette Jiles aims to provide insight into her remarkable life and work. With a focus on her poetry and novels, we explore the themes and ideas that have made her writing so impactful.
Quotes by Paulette Jiles

An Gorta Mor, she said. In the famine children saw their parents die and then went to live with the people on the other side. In their minds they went. When they came back they were unfinished. They are forever falling. She shook out her wet, pinned-up skirt and watched as Johanna carefully ate pieces of bacon with her hands.

Captain Kidd said, It has been said by authorities that the law should apply the same to the king and to the peasant both, it should be written out and placed in the city square for all to see, it should be written simply and in the language of the common people, lest the people grow weary of their burdens.

For a moment he asked himself where it would be better. Cities of the North, with their sections for blacks only. The South in ruins and seething with bitter ex-Confederates and confused and rootless freedmen. Unknown places with unknown rules, and all in a perilous state of flux.

He broke down the .38, cleaned it, reassembled it. He made a list: feed, flour, ammunition, soap, beef, candles, faith, hope, charity.

It would stay with him always as everything you ever did stayed with you, every horse you ever saddled, every morning he awoke with Maria Luisa beside him, and every slap of the paten on fresh paper, every time he had thrown open the shutters in the Betancort house, and his captain dying under his hands, always there like a tangle of telegraph wires in the brain where no dispatch was ever lost, what an odd thing, an odd thing.

The Captain stuffed tobacco into his kaolin pipe. And here he was in his mild and mindless way still roaming, still reading out the news of the world in the hope that it would do some good, but in the end he must carry a weapon in his belt and he had a child to protect and no printed story or tale would alter that. He considered the men who must be following them and also that the smell of tobacco smoke carried far and wide, far more than meat smoke, so on second thought he laid down the pipe.

Britt was restless when they had to stay in town for any length of time. He was wary of the white men. It was better on the road, traveling free of any rules and away from ex-Confederates and strange men come into the country from distant places. It was better to travel and sleep under the wagons with no company but their own. The road was like a very long and thin nation to itself, a country whose citizens were isolate and untrammeled, whose passports were all carte blanche.

Raiding parties of young men had their own laws and their own universe in which the niceties of civilized warfare did not count and an old man and a young girl were fair game to them, for in the Indian Wars there were no civilians.

Thoughts have power. They can drift through the air unhindered. Ill will and hatred, the lust for revenge, can detach itself from the person who generates these thoughts if that person has a certain power from some being. Even after the person is dead.
