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Peter York

99quotes

Peter York: A Life of Observing Britain's Changing Times


Full Name and Common Aliases


Peter York was a British author, journalist, and social commentator who was born on July 14, 1944.

Birth and Death Dates


Sadly, he passed away on December 21, 2020, at the age of 76.

Nationality and Profession(s)


York was a British national with a career spanning journalism, writing, and broadcasting. He worked as a television presenter, an author, and a commentator, often focusing on social issues and cultural trends.

Early Life and Background


Born in London, York grew up in a family that valued education and encouraged his interest in reading and writing from an early age. His love for history, politics, and culture was evident even as a young boy. After completing his education at Charterhouse School, he went on to study at Christ Church, Oxford.

Major Accomplishments


York's career was marked by numerous accomplishments, including:

Presenting the popular BBC series "How Britain Worked" (1983) and "Britain in the 80s" (1990), which showcased his engaging storytelling style and ability to explain complex social issues.
 Writing several bestselling books, such as "Decadence of Britannia: A Warning from the Old World" (2001) and "The War Against the Road" (1985), which offered insightful commentary on British society and culture.
Contributing to various publications, including The Times, The Guardian, and Vanity Fair, where he shared his thoughts on politics, history, and social trends.

Notable Works or Actions


Some of York's notable works include:

"The War Against the Road" (1985), which explored the rise of car culture in Britain and its impact on society.
"Decadence of Britannia: A Warning from the Old World" (2001), a critically acclaimed book that examined British decline and offered a unique perspective on the country's future.
 His work as a television presenter, where he presented several documentaries and series that tackled complex social issues in an engaging and accessible way.

Impact and Legacy


Peter York's impact on British society and culture cannot be overstated. Through his writing and broadcasting, he:

Shed light on the complexities of British history and politics.
 Offered insightful commentary on social trends and cultural shifts.
Inspired a new generation of writers and commentators to explore the human condition.

Why They Are Widely Quoted or Remembered


York's legacy extends far beyond his individual accomplishments. He is widely quoted and remembered because:

His work remains relevant today, offering insights into the complexities of British society and culture.
His ability to explain complex issues in an engaging way has inspired a new generation of writers and commentators.
 His commitment to exploring the human condition has left a lasting impact on our understanding of the world around us.

Quotes by Peter York

Brands are useful ways of short-handing practically anything - look at the way Tom Wolfe first used brand name lists to sharpen up a character and a situation. Look at the most brand-referenced novel, Bret Easton Ellis's 'Glamorama.'
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Brands are useful ways of short-handing practically anything - look at the way Tom Wolfe first used brand name lists to sharpen up a character and a situation. Look at the most brand-referenced novel, Bret Easton Ellis's 'Glamorama.'
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Haagen-Dazs (a clever Scandi-sounding name invented by Americans in 1961) was bought for its Euro-sounding sophistication by the kind of Americans who first bought those Mercs and Beemers, while Ben & Jerry's (now owned by Unilever) brought a post-hippy sensibility to bear. Buyers saw the brand as saying 'all-natural, organic and Fairtrade.'
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Haagen-Dazs (a clever Scandi-sounding name invented by Americans in 1961) was bought for its Euro-sounding sophistication by the kind of Americans who first bought those Mercs and Beemers, while Ben & Jerry's (now owned by Unilever) brought a post-hippy sensibility to bear. Buyers saw the brand as saying 'all-natural, organic and Fairtrade.'
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Real writers – serious writers with serious subjects, who earn their living at it – all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
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Real writers – serious writers with serious subjects, who earn their living at it – all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
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When you get inside a literary novel you feel that the author, more often than not, just doesn’t know enough about things. They haven’t been around enough – novelists never go anywhere. Once I discovered true books about real things – books like ‘How To Run a Company’ – I stopped reading novels.
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When you get inside a literary novel you feel that the author, more often than not, just doesn’t know enough about things. They haven’t been around enough – novelists never go anywhere. Once I discovered true books about real things – books like ‘How To Run a Company’ – I stopped reading novels.
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In Britain, eponymous lifestyle branding as we know it started in the late 1960s, with two fascinating families – the Conrans and the Ashleys – who in increasingly brilliant settings and catalogues sold rather different visions of what the new ideal upper-middle-y life looked like.
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In Britain, eponymous lifestyle branding as we know it started in the late 1960s, with two fascinating families – the Conrans and the Ashleys – who in increasingly brilliant settings and catalogues sold rather different visions of what the new ideal upper-middle-y life looked like.
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It’s just as well that I write in the same facile way wherever I am – no blocks or anguish, no contemplation, no elaborate revision, no need for love-tokens or nice views.
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It’s just as well that I write in the same facile way wherever I am – no blocks or anguish, no contemplation, no elaborate revision, no need for love-tokens or nice views.
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If you’ve done a bit of journalism, everyone assumes you must be moving into PR. We’re absolutely not becoming a PR agency and we’re not turning into Brunswick. We will remain SRU, but we will be owned by the Brunswick Group. It’s quite different.
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If you’ve done a bit of journalism, everyone assumes you must be moving into PR. We’re absolutely not becoming a PR agency and we’re not turning into Brunswick. We will remain SRU, but we will be owned by the Brunswick Group. It’s quite different.
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There’s no Peter York Foundation, and you’re no one without one.
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There’s no Peter York Foundation, and you’re no one without one.
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The newsprint thesp celebrity interview as a middle-brow art form suffers from desperate overproduction. There’ll be at least 10 in the broadsheets today and every Sunday hereafter.
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The newsprint thesp celebrity interview as a middle-brow art form suffers from desperate overproduction. There’ll be at least 10 in the broadsheets today and every Sunday hereafter.
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Eponymous brands aren’t that popular with analysts and investors now. You can only take an eponymous brand with a living figurehead so far, they argue. What happens when they grow old and die? What happens when they misbehave and go seriously off-brand?
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Eponymous brands aren’t that popular with analysts and investors now. You can only take an eponymous brand with a living figurehead so far, they argue. What happens when they grow old and die? What happens when they misbehave and go seriously off-brand?
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