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Phillip Noyce


Full Name and Common Aliases


Phillip Noyce is a renowned Australian film director, screenwriter, and producer.

Birth and Death Dates


Born on July 29, 1950, in Griffith, New South Wales, Australia.

Nationality and Profession(s)


Australian national, film director, screenwriter, and producer.

Early Life and Background


Phillip Noyce grew up in a family of farmers in rural New South Wales. He developed an interest in filmmaking at a young age, influenced by his father's love for cinema. Noyce began making short films as a teenager, which eventually led him to study film at the Australian Film and Television School.

Major Accomplishments


Noyce has had a distinguished career spanning over four decades. He has directed numerous acclaimed films that have earned him recognition globally. Some of his notable works include:

Dead Calm (1989): A psychological thriller starring Nicole Kidman and Billy Zane, which received critical acclaim for its tense performances and direction.
Patriot Games (1992): An action-thriller based on Tom Clancy's novel, marking a significant collaboration between Noyce and Harrison Ford.
* Clear and Present Danger (1994): The sequel to Patriot Games, further solidifying the partnership between Noyce and Ford.

Notable Works or Actions


In addition to his feature films, Noyce has worked extensively in television. He directed several episodes of popular series such as _Law & Order_ and _24_. In 2016, he directed Salt star Angelina Jolie in the critically acclaimed war drama Their Finest, set during World War II.

Impact and Legacy


Phillip Noyce's contributions to cinema are undeniable. His ability to balance action, suspense, and emotion has captivated audiences worldwide. As a director, he has tackled complex themes, such as politics and war, with sensitivity and nuance. Noyce's work continues to influence emerging filmmakers.

Why They Are Widely Quoted or Remembered


Phillip Noyce is widely recognized for his skillful direction of high-stakes action films and thought-provoking dramas. His ability to extract powerful performances from actors has earned him a reputation as one of the most versatile and respected directors working today. As an artist, he continues to explore the boundaries of storytelling on screen.

By highlighting Noyce's accomplishments, notable works, and lasting impact, this biography provides insight into why this talented individual is widely quoted or remembered.

Quotes by Phillip Noyce

People just don’t laugh when their family is violated, and you don’t shrug it off. You band together and you defend together. It’s a funny, primitive instinct.
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People just don’t laugh when their family is violated, and you don’t shrug it off. You band together and you defend together. It’s a funny, primitive instinct.
Oh yeah – I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn’t seen that film, inevitably the camera would’ve ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.
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Oh yeah – I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn’t seen that film, inevitably the camera would’ve ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.
Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast – and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.
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Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast – and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.
So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history – and history of repression.
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So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history – and history of repression.
Whites were the winners, blacks were the losers, we wrote the history books, and they didn’t feature.
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Whites were the winners, blacks were the losers, we wrote the history books, and they didn’t feature.
Making movies is eating candy. It’s a very expensive candy, so you value when you can do it. So when you can do it twice at once, it’s like, you know, a kid in a candy store!
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Making movies is eating candy. It’s a very expensive candy, so you value when you can do it. So when you can do it twice at once, it’s like, you know, a kid in a candy store!
The first trip just provided the basis for the whole movie, because I realised this was a movie about the indomitable human spirit.
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The first trip just provided the basis for the whole movie, because I realised this was a movie about the indomitable human spirit.
But usually you're waiting around for these editors to do stuff and you get really bored. It was better for them to wait for me!
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But usually you're waiting around for these editors to do stuff and you get really bored. It was better for them to wait for me!
You know, you go to Hollywood and work internationally, and just the little jokes no longer make you laugh. I was alienated from my own culture.
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You know, you go to Hollywood and work internationally, and just the little jokes no longer make you laugh. I was alienated from my own culture.
Well, I grew up in a small country town.
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Well, I grew up in a small country town.
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