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Rebecca De Mornay
34quotes
Full Name and Common Aliases
Rebecca De Mornay is a French-American actress born as Rebecca Broussard.
Birth and Death Dates
Born on August 13, 1959.
Nationality and Profession(s)
French-American, Actress.
Early Life and Background
Rebecca De Mornay was born in Los Angeles, California. Her early life was marked by a series of events that would shape her career path. De Mornay's mother was an artist and encouraged Rebecca to pursue acting from a young age. At 15, she began modeling for various fashion brands.
Major Accomplishments
De Mornay's breakthrough role came in 1984 when she appeared alongside Tom Cruise in the film "The Thing." However, her starring role as Lulu Pace Finch in the 1990 film adaptation of 'Working Girl' catapulted her to fame. The film earned her a Golden Globe nomination and critical acclaim.
Notable Works or Actions
Some notable works of Rebecca De Mornay include:
- 'Raising Cain'
- 'Backdraft'
- 'The Hand That Rocks the Cradle'
- 'The Hustler'
De Mornay's acting career spans multiple genres, including drama, action, and horror. Her versatility as an actress has been widely praised.
Impact and Legacy
Rebecca De Mornay's impact on the film industry is multifaceted. She has played a range of complex characters in various films, showcasing her acting prowess. Beyond her on-screen performances, she continues to be involved in projects that promote women's empowerment and social justice.
Why They Are Widely Quoted or Remembered
Rebecca De Mornay is widely recognized for her distinctive voice and acting style. Her portrayal of strong, independent women has left an indelible mark on the film industry. As an advocate for women's rights and social causes, she remains a respected figure in Hollywood.
This bio aims to provide readers with a comprehensive understanding of Rebecca De Mornay's life, career, and impact. It highlights her notable works, major accomplishments, and reasons why she is widely quoted or remembered.
Quotes by Rebecca De Mornay
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I grew up in Europe, and I used to like those very slow-moving European films. I’ve been contaminated by the American TV culture, and I just want things to move faster now.
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I don’t see it as a form of healing, because if you have wounds that are bleeding I don’t think acting will ever get them to stop. But I find acting is a form of illumination.
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I’ve never had a manager, and I’ve had various agents, and, fortunately or unfortunately, I’ve been blessed.
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It’s a very difficult thing for people to accept, seeing women act out anger on the screen. We’re more accustomed to seeing men expressing rage and women crying.
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I just think that I’ll never have plastic surgery if I’m not in front of the camera. If you make your living selling this thing, which is the way you look, then maybe you do it. But trust me, the minute I’m directing or producing and not starring, I would never even think of it.
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I was so amazingly witty when I had the No. 1 movie, you have no idea. People laughed at every single one of my jokes. Then when I hadn’t had a hit for three or four years, some of these same people pretended they didn’t see me when I walked in the room.
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I’ve made some great movies. ‘Risky Business’ still stands up. It’s timeless. They study that film in film school.
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