Ross King
Ross King
#### Full Name and Common Aliases
Ross King is the full name of this renowned British historian, author, and educator.
#### Birth and Death Dates
Born in 1959, Ross King's life has been marked by a prolific career spanning over four decades.
#### Nationality and Profession(s)
King holds dual nationality, both British and Canadian. He is a historian, author, and educator by profession.
#### Early Life and Background
Growing up in the United Kingdom, King developed an early interest in history, which would eventually shape his future endeavors. Little is known about his personal life before he pursued higher education, but it is evident that his passion for historical narratives led him to a distinguished academic career.
#### Major Accomplishments
Ross King's accomplishments as an historian and author are substantial. He has written extensively on European history, with notable works including _Domestication of the Human Beast: The Brutal Treatment of Animals in Europe since 1500_ and _Madness: A Brief History_. His other significant contributions include his television series, _The World's Greatest Paintings_, which explored masterpieces from various eras. King has also been a prominent voice on public radio programs.
#### Notable Works or Actions
Ross King is particularly noted for his ability to render complex historical events engaging and accessible. _Domestication of the Human Beast: The Brutal Treatment of Animals in Europe since 1500_ offers a unique perspective on human-animal relationships throughout history, making it an exemplary example of his work's impact.
#### Impact and Legacy
Ross King has made substantial contributions to the field of history through his writing and television appearances. His ability to share historical narratives with broad audiences has helped popularize the subject matter beyond academia, impacting how people perceive the past. As a result, he remains one of the most quoted historians in contemporary media.
#### Why They Are Widely Quoted or Remembered
Ross King is widely recognized for his unique blend of academic rigor and engaging storytelling ability. His work has not only expanded our understanding of European history but also influenced public discourse on historical narratives. As an educator, author, and television personality, he continues to inspire new generations of historians and enthusiasts alike.
As a celebrated historian, Ross King's impact is evident in his ability to convey complex ideas to diverse audiences through engaging narratives. His contributions have not only enriched the field of history but also demonstrate the power of storytelling as a tool for education and cultural enrichment.
Quotes by Ross King
The course of a person’s life, like the course of a river, may likewise be changed by means of ingenious and timely precautions.
Manet nonetheless seems to have been captivated by her appearance, or at least by the visual possibilities of dressing her in exotic costumes and placing her in beguiling poses.
Such artistic forays into the countryside had been made easier by the invention, in 1824, of metal tubes for oil paints, which replaced the messy and awkward pig bladders in which artists of previous generations had kept their paints; and by the introduction of collapsible three-legged stools and portable easels, both of which could be carried into the countryside by the artist.18.
The hand gestures of Italians are not, apparently, as clear-cut as Goethe believed. De Jorio discovered that knowing the purpose of someone’s mind.
There was nothing so dangerous to a king or an emperor as a book. Yes, a great library – a library as magnificent as this one – was a dangerous arsenal, one that kings and emperors feared more than the greatest army or magazine.
Meissonier always spent many months researching his subject, finding out, for example, the precise sort of coats or breeches worn at the court of Louis XV, then hunting for them in rag fairs and market stalls or, failing that, having them specially sewn by tailors.
Undoubtedly Italians use hand gestures and body language more creatively and prolifically than other European cultures.
Many of these omnibuses were driven, oddly enough, by male models who had retired from the business, which meant that Parisians of Manet’s day were transported around the city by men who had once posed as valiant biblical heroes or the vindictive deities of classical mythology.
The Prince to a slightly more upbeat view of human action. In order “not to rule out our free will,” he arrives at a formula by which Fortune is “the arbiter of half the things we do, leaving the other half or so to be controlled by ourselves.