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Salley Vickers: A Life of Literature and Wonder


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Full Name and Common Aliases


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Salley Vickers is a British novelist, short story writer, and literary critic whose works have been widely praised for their lyricism and insight into the human condition.

Birth and Death Dates


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Born on November 21, 1948, in London, England, Salley Vickers continues to write and publish new works to this day. Her life's work serves as a testament to her enduring passion for storytelling and her commitment to exploring the complexities of human experience.

Nationality and Profession(s)


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Vickers' nationality is British, and she has worked as both a novelist and literary critic throughout her career. Her writing often explores themes of love, loss, family, and identity, all set against the rich cultural backdrop of England's history and literature.

Early Life and Background


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Salley Vickers was born into a family that valued learning and creativity. Her parents were both educated individuals who encouraged their children to explore their artistic interests from an early age. Vickers' love of writing began at home, where she devoured the works of English authors such as Shakespeare and Austen alongside her siblings.

As a young woman, Vickers pursued a career in dance before turning to writing full-time. This transition allowed her to cultivate a unique perspective on the human experience, drawing upon both her literary background and her experiences as a performer. Her early life and background instilled in her a deep appreciation for language, culture, and the complexities of human emotion.

Major Accomplishments


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Salley Vickers' writing career spans over three decades, during which she has published numerous novels, short stories, and essays. Some of her most notable works include:

"The View from Chapel Hill" (1993), a novel that explores the complexities of family relationships through the lens of American history.
"Mr. Golightly's Holiday" (2000), a critically acclaimed novel that examines the tensions between creativity and convention in the lives of two artists.
* "The Other Side of You" (2015), a collection of short stories that explore themes of love, loss, and identity through the experiences of ordinary people.

Notable Works or Actions


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Throughout her career, Vickers has been recognized for her unique blend of literary skill and psychological insight. Her writing often explores the darker corners of human experience, yet always with a deep sense of compassion and empathy for her characters.

One of Vickers' most notable actions was her decision to write "Mr. Golightly's Holiday", which she conceived as a way to explore the complexities of artistic creation through the story of two characters from different eras. This novel showcases her remarkable ability to weave together historical and cultural contexts with deeply personal narratives.

Impact and Legacy


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Salley Vickers' writing has had a profound impact on readers around the world, who appreciate her nuanced exploration of human emotion and experience. Her work serves as a reminder that even in the most difficult times, there is always hope and beauty to be found.

Vickers' influence can also be seen in her many interviews, lectures, and readings, where she continues to engage with audiences about the power of literature to shape our understanding of ourselves and the world around us. Her legacy will undoubtedly endure for generations to come, as a testament to the enduring power of storytelling.

Why They Are Widely Quoted or Remembered


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Salley Vickers is widely quoted and remembered for her insightful exploration of human emotion and experience. Her writing has resonated with readers from diverse backgrounds and cultures, who appreciate her unique ability to capture the complexities of human relationships and the world around us.

Her work continues to inspire new generations of writers, artists, and thinkers, all of whom are drawn to her remarkable literary skill and her unwavering commitment to exploring the depths of human emotion.

Quotes by Salley Vickers

We all long for someone with whom we are able to share our peculiar burdens of being alive.
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We all long for someone with whom we are able to share our peculiar burdens of being alive.
That boy held my heart in a way that felt molecular.
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That boy held my heart in a way that felt molecular.
Is it true we’d rather be ruined than changed?
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Is it true we’d rather be ruined than changed?
And I have come to see that the better you treat someone, the more you love them – which is why you must never let someone treat you badly, for the worse they do to you, the more they will hate you. I.
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And I have come to see that the better you treat someone, the more you love them – which is why you must never let someone treat you badly, for the worse they do to you, the more they will hate you. I.
Beware, beware of those who care,’ as some wise person said. Not that I’m suggesting there is anything wrong with caring. But as Granny Maud used to say, ‘Fine words butter no parsnips,’ and she might have added, ‘Caring should be felt and not heard.
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Beware, beware of those who care,’ as some wise person said. Not that I’m suggesting there is anything wrong with caring. But as Granny Maud used to say, ‘Fine words butter no parsnips,’ and she might have added, ‘Caring should be felt and not heard.
The Abbe Paul looked at Agnes rather as Alain had, with respect. 'How sensible. People are desperate to probe mysteries which for the most part are best left unprobed. It is the modern curse: this demented drive to explain every blessed thing. Not everything can be explained. Nor should be, I think.
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The Abbe Paul looked at Agnes rather as Alain had, with respect. 'How sensible. People are desperate to probe mysteries which for the most part are best left unprobed. It is the modern curse: this demented drive to explain every blessed thing. Not everything can be explained. Nor should be, I think.
Guilt. Does anyone escape it? Is guilt the reason we make up stories?
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Guilt. Does anyone escape it? Is guilt the reason we make up stories?
Stories are all we humans have to make us immortal.
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Stories are all we humans have to make us immortal.
Know thyself. Then know that you are a human being, a member of the species of mankind. So know first and foremost that you do not know, and what you claim to know is almost certainly a means of distracting yourself from what you really know.
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Know thyself. Then know that you are a human being, a member of the species of mankind. So know first and foremost that you do not know, and what you claim to know is almost certainly a means of distracting yourself from what you really know.
There are few things more mysterious than endings. I mean, for example, when did the Greek gods end, exactly? Was there a day when Zeus waved magisterially down from Olympus and Aphrodite and her lover Ares, and her crippled husband Hephaestus ) I always felt sorry for him), and all the rest got rolled up like a worn-out carpet?
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There are few things more mysterious than endings. I mean, for example, when did the Greek gods end, exactly? Was there a day when Zeus waved magisterially down from Olympus and Aphrodite and her lover Ares, and her crippled husband Hephaestus ) I always felt sorry for him), and all the rest got rolled up like a worn-out carpet?