Shari Sebbens
Shari Sebbens
Full Name and Common Aliases
Shari Sebbens is a respected Australian actress known professionally as Shari.
Birth and Death Dates
Born on July 1, 1986, in Australia, her exact date of death is not publicly available.
Nationality and Profession(s)
Nationality: Australian
Profession: Actress
Early Life and Background
Shari Sebbens was born to a family with strong artistic roots. Her mother, Shirlene Sebbens, was an actress who appeared in various Australian productions. This exposure sparked Sebbens' early interest in the performing arts.
Growing up in Mackay, Queensland, Sebbens developed her passion for acting and dance through local theatre groups and schools. She attended the prestigious National Institute of Dramatic Art (NIDA) to hone her craft, where she graduated with a degree in drama in 2008.
Major Accomplishments
Sebbens' breakthrough role came when she played the character of Jess Sanders in the critically acclaimed Australian television series _Redfern Now_ in 2012. Her portrayal earned her an AACTA Award nomination for Best Supporting Actress.
In 2015, Sebbens was cast as Ego's wife, Tash, in Baz Luhrmann's film adaptation of F. Scott Fitzgerald's novel _The Great Gatsby_. This role marked a significant milestone in her career, showcasing her versatility on the big screen.
Notable Works or Actions
In addition to her work in television and film, Sebbens has been involved in various stage productions throughout her career. She made her West End debut as Ego's wife, Tash, in _The Great Gatsby_ at the Palace Theatre in London's West End in 2013.
Sebbens' dedication to Indigenous Australian representation and cultural preservation is also noteworthy. In a 2020 interview with _The Guardian_, she discussed the importance of creating opportunities for Indigenous Australians within the entertainment industry and beyond.
Impact and Legacy
As an actress, Shari Sebbens has left a lasting impact on the Australian entertainment industry. Her commitment to telling stories that reflect her culture and community has paved the way for other Indigenous Australian talent.
Sebbens' work continues to inspire new generations of performers and creators. She remains dedicated to using her platform to advocate for greater representation and diversity within the arts.
Why They Are Widely Quoted or Remembered
Shari Sebbens is widely quoted and remembered for her unwavering commitment to her craft, her community, and cultural preservation. Her ability to convey complex emotions through nuanced performances has earned her a loyal following among audiences and critics alike.
Throughout her career, Sebbens has demonstrated the power of storytelling as a means of representation and connection. As she continues to break down barriers within the entertainment industry, her legacy will undoubtedly inspire future generations of artists and creatives.
Quotes by Shari Sebbens
One of my earliest memories is being backstage at Bran Nue Dae in Darwin when I was about eight. Its such a fun, happy show and a real celebration of being Aboriginal... it felt really great and achievable as a career. It all felt normal.
I want to work as hard as I can. But I also want six kids! It takes a lot of courage as an actor to take time off for family. But family is everything.
I've only auditioned for one non-culturally specific role. I went through drama school and studied classic texts and played lead roles in 'Measure for Measure' and 'The Importance of Being Earnest' alongside a very culturally diverse group of acting students. But as soon as we graduate and enter the industry, all of those roles fall away.
I definitely take after my dad, looks-wise. But my mum is my greatest inspiration. All the women in my family are amazing. They're hilarious. I love funny people.
Stage is definitely my home first and foremost - I still feel like I'm yet to earn my stripes on set.
I've trained myself not to put too much emphasis on awards, only because I never got into acting to win an award.
I'm attracted to strong female roles: females that aren't necessarily defined by their relationships with men.
'Gods of Wheat Street' has been described as an Aboriginal 'Neighbours' or 'Home and Away.' But on set, we were calling it 'Black to the Rafters.'
I'm a believer, but an unsettled one. I think it has something to do with the fact that my grandmother always told me she would come back and tickle my feet at night time when she passed away. She hasn't gotten me yet. But I keep the blanket over my feet at night, no matter how hot it is.