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Sigmar Polke

24quotes

Sigmar Polke: A Life of Visionary Artistry


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Full Name and Common Aliases


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Sigmar Polke (also known as Sigmar Josef Polke) was a German artist who explored various mediums, including painting, photography, sculpture, and installation art.

Birth and Death Dates


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Born on October 13, 1941, in Oelde, Germany; passed away on June 10, 2010, in Berlin, Germany.

Nationality and Profession(s)


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Polke was a German national, predominantly known as an artist. His work spanned multiple mediums and styles, often incorporating photography, painting, and installation art.

Early Life and Background


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Sigmar Polke grew up in Oelde, Westphalia, Germany. He developed an interest in art at an early age, encouraged by his parents. During the 1960s, he became part of the Zero Group, a collective that emphasized experimentation with new art forms.

Polke's early life was marked by tragedy when his family lost their business during World War II. However, this experience seemed to have driven him towards creative expression. His exposure to various art styles and mediums helped shape his unique vision as an artist.

Major Accomplishments


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Throughout his career, Sigmar Polke received numerous accolades for his innovative approach to art. Some of his notable achievements include:

Prix du Prince (1986) - a prestigious award recognizing outstanding contributions to the arts.
Honorary doctorate from the University of Fine Arts in Berlin (1995).
Artist-in-residence at the Centre Pompidou in Paris, France (1973).

Notable Works or Actions


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Polke's artistic journey was marked by numerous groundbreaking projects. Some of his most notable works include:

Fotografische Arbeiten (Photographic Works) - a series of photographs that explored light and shadow.
* Säure- und Farbwerker - an ongoing project where he used chemical reactions to create unique patterns on surfaces.

Impact and Legacy


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Sigmar Polke's innovative approach to art has left a lasting impact on the global artistic community. His exploration of multiple mediums and styles paved the way for future generations of artists. Today, his work is widely recognized as an integral part of contemporary art history.

Polke's influence can be seen in various aspects of modern art, from photography to installation art. His commitment to experimentation and pushing boundaries continues to inspire artists worldwide.

Why They Are Widely Quoted or Remembered


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Sigmar Polke is remembered for his tireless pursuit of innovation and artistic expression. His willingness to challenge conventions has made him a legend in the world of contemporary art.

Quotes by Sigmar Polke

I don’t see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
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I don’t see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
Mostly, drawings are things I make for myself – I do them in sketchbooks. They are mental experiments – private inner thoughts when I’m not sure what will come out.
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Mostly, drawings are things I make for myself – I do them in sketchbooks. They are mental experiments – private inner thoughts when I’m not sure what will come out.
It’s the procedures in and for themselves that interest me. The picture isn’t really necessary.
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It’s the procedures in and for themselves that interest me. The picture isn’t really necessary.
I don't see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
"
I don't see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
It's the procedures in and for themselves that interest me. The picture isn't really necessary.
"
It's the procedures in and for themselves that interest me. The picture isn't really necessary.
I’m a believer in luck and think the social conditions you’re born into provide the opportunity for you to prove your luck. And I suppose I’ve been lucky.
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I’m a believer in luck and think the social conditions you’re born into provide the opportunity for you to prove your luck. And I suppose I’ve been lucky.
What interests me is the unforeseeable.
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What interests me is the unforeseeable.
Yes, my works... are enshrined in museums, but I don't care if the pieces fall apart in 20 years.
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Yes, my works... are enshrined in museums, but I don't care if the pieces fall apart in 20 years.
Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.
"
Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.
A negative is never finished.
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A negative is never finished.
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