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Sigourney Weaver
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Full Name and Common Aliases


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Born Susan Alexandra Weaver on August 8, 1949, in New York City, Sigourney Weaver is an American actress known for her iconic roles in science fiction films.

Birth and Death Dates


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Weaver's birthdate marks the beginning of a long and storied career. She remains active to this day, with no reported passing or notable health issues.

Nationality and Profession(s)


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Sigourney Weaver is an American citizen and has established herself as an accomplished actress and producer, primarily in film and theater.

Early Life and Background


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Growing up in a family of modest means, Weaver developed a strong interest in the arts. Her mother, Elizabeth Inglis, was a journalist and model, while her father, Sylvester "Pat" Weaver, was an advertising executive who created the popular TV show Tomorrowland. This exposure to creative fields instilled in Sigourney a passion for performance.

Weaver attended Sarah Lawrence College before transferring to Stanford University. She later earned a Master's degree from Yale School of Drama, deepening her understanding of acting and the performing arts.

Major Accomplishments


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Sigourney Weaver's breakthrough role came with Alien (1979), where she played Ellen Ripley, an astronaut who battles deadly extraterrestrial life. Her portrayal earned her widespread acclaim and established her as a leading lady in science fiction films.

Weaver has continued to excel in various genres, taking on diverse roles that demonstrate her versatility:

Ghostbusters (1984): She played the iconic character of Dana Barrett, a paranormal investigator with a knack for comedy.
Working Girl (1990): Weaver won an Academy Award for Best Supporting Actress as Tess McGill, a determined businesswoman who finds success in a male-dominated industry.

Her dedication to her craft has earned her numerous awards and nominations throughout the years.

Notable Works or Actions


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In addition to her film work, Sigourney Weaver has made significant contributions to theater:

The Madwoman of Chaillot (1980): She originated the role in this Broadway production.
A Delicate Balance (1996): Weaver played Agnes in this Tony Award-winning play.

Weaver's commitment to environmental causes is also noteworthy. She has been involved with organizations like the Natural Resources Defense Council and supports initiatives for sustainable living.

Impact and Legacy


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Sigourney Weaver's impact on popular culture cannot be overstated. Her portrayal of Ellen Ripley cemented her status as a science fiction icon, paving the way for future generations of actresses to take on strong, complex roles.

Her influence extends beyond the screen:

Women in Film: Weaver has advocated for greater representation and opportunities for women in film.
Environmental Activism: Her dedication to sustainability and conservation serves as an inspiration to fans worldwide.

Why They Are Widely Quoted or Remembered


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Sigourney Weaver's legacy is built on a foundation of memorable performances, tireless advocacy, and a commitment to using her platform for good. As a result, she remains widely quoted and remembered in the entertainment industry and beyond.

By examining her life, career, and contributions, it becomes clear why Sigourney Weaver continues to captivate audiences and inspire new generations of performers and activists alike.

Quotes by Sigourney Weaver

Sigourney Weaver's insights on:

I actually think the reason I am interested in certain parts is because I was such a dweeb in high school. When you are such a loser, it's a helpful way in to a lot of characters because even very powerful people are not all that powerful, really.
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I actually think the reason I am interested in certain parts is because I was such a dweeb in high school. When you are such a loser, it's a helpful way in to a lot of characters because even very powerful people are not all that powerful, really.
I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven’t used, for any job, but particularly in acting.
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I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven’t used, for any job, but particularly in acting.
I’ve been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
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I’ve been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
I’m very happy with the opportunities I’ve had.
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I’m very happy with the opportunities I’ve had.
I’d rather have a small part in a movie I love than a bigger part in one I don’t care about.
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I’d rather have a small part in a movie I love than a bigger part in one I don’t care about.
Maybe you’re better to play a villain just straight out.
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Maybe you’re better to play a villain just straight out.
I’m no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don’t get to do that very often.
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I’m no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don’t get to do that very often.
With Alien, because we always use a different director, each one kind of stands on its own. So I guess it’s possible for them to make another one, but we have no plans.
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With Alien, because we always use a different director, each one kind of stands on its own. So I guess it’s possible for them to make another one, but we have no plans.
Acting as a career is a long term thing and that work is kind of progressive and you can build on a career. It’s part of the great tradition of the theater to me.
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Acting as a career is a long term thing and that work is kind of progressive and you can build on a career. It’s part of the great tradition of the theater to me.
It’s such a nice change to get to play a wretched, shallow, mergers-and-acquisitions woman. My true colors come out.
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It’s such a nice change to get to play a wretched, shallow, mergers-and-acquisitions woman. My true colors come out.
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