Skrillex
Skrillex: A Pioneer of Electronic Dance Music
#### Full Name and Common Aliases
Sonny John Moore is professionally known as Skrillex, an American electronic dance music (EDM) producer, DJ, singer-songwriter, and musician.
#### Birth and Death Dates
Born on January 15, 1988, in Los Angeles, California. As of this writing, he is still alive.
#### Nationality and Profession(s)
American, Musician, Producer, DJ, Singer-Songwriter
#### Early Life and Background
Growing up in Los Angeles, Skrillex developed an interest in music at a young age, influenced by his mother's eclectic record collection. He began singing in his church choir and was part of the rock band fromepolitics before transitioning to electronic music. Moore attended Hamilton High School but dropped out to pursue music full-time.
#### Major Accomplishments
Skrillex achieved widespread success with his debut EP, _My Name Is Skrillex_, released in 2010 under the OWSLA label he co-founded. His breakthrough single "Scary Monsters and Nice Sprites" reached platinum status in 2011. The following year, Skrillex collaborated with Diplo on the project Jack Ü, releasing their debut album _Skrillex & Diplo Present Jack Ü_ to critical acclaim.
In 2013, he won five Grammy Awards for Record of the Year, Best Dance Recording, Best Dance/Electronica Album, and Best New Artist. Skrillex has been nominated numerous times throughout his career and has performed at major festivals such as Coachella, Ultra Music Festival, and Tomorrowland.
#### Notable Works or Actions
Skrillex is known for experimenting with various sounds and styles within the EDM genre. His music often incorporates elements of dubstep, electro house, and future bass. He frequently releases new material through his label OWSLA, supporting emerging artists in the process. Skrillex has also collaborated with prominent artists like Rick Ross, Ellie Goulding, and Justin Bieber.
One notable example of his innovative approach is the song "Try It Out" (2012), which features a mix of trap beats, jazz samples, and hip-hop influences. His production techniques often push the boundaries of what electronic music can achieve.
#### Impact and Legacy
Skrillex's influence on electronic dance music cannot be overstated. He has inspired a new generation of producers to experiment with bold sounds and styles. Through OWSLA, he has provided opportunities for emerging artists, fostering a collaborative environment that encourages innovation and creativity.
As an artist, Skrillex embodies the spirit of progression in electronic music. His relentless pursuit of sonic exploration has led to numerous chart-topping hits and critically acclaimed albums.
#### Why They Are Widely Quoted or Remembered
Skrillex is widely quoted for his dedication to pushing the boundaries of electronic music and supporting emerging artists through OWSLA. He continues to inspire fans with his captivating live performances, innovative production techniques, and unwavering passion for artistic expression.
His pioneering work in EDM has left an indelible mark on the music world, solidifying his position as one of the most influential producers of our time.
Quotes by Skrillex
The greatest gift of all time is that you can make creation infectious because people spend less time being negative... If you log all the time with negativity in the while world, I wonder how much better the world would be if people sat down and did something positive. It spirals.
There are artists that are using computers in all genres – Kendrick Lamar’s music is electronic-made, and Taylor Swift is the same thing. There’s a lot of pop music, underground music, and music for films made with computers. In that sense, it’s not going to go away.
It’s strange – some directors are really talented but they can be so precious when it comes to letting you be a part of it.
I’m always on tour, so I’m always trying new tracks out live before they’re released. That’s more necessity than anything, because I don’t get a proper chance to sit in a studio and work on tracks like other producers do.
Hip-hop and electronic music are so similar, in the fact that they’re both very visceral, have so much bass; a lot of times, it’s the same tempos. The culture and some of the sound design is different but a lot of times, it’s the same stuff.
I think phone cases will always be novelties, but there’s always so many interesting phone cases I like phone cases and I think the sillier the better – but this is a cool take on it.
There is a lot of music out there that you can play side by side and you can’t hear the personality – that has a timeline on it, for sure.
Fantasy is hard to do when it comes to making it look good compared to something that’s a documentary or hyper-realism.
I haven’t played EDC since 2011. Normally, my sound fits a little bit better in mixed festivals.