Stewart Copeland


#### Full Name and Common Aliases
Stewart Copeland is a renowned American musician, drummer, composer, and music producer.

Birth and Death Dates


Born on July 16, 1952, in Alexandria, Virginia. As of this writing, he remains alive.

Nationality and Profession(s)


American, Musician, Drummer, Composer, Music Producer

Early Life and Background


Stewart Copeland grew up in a musical family. His father was an army officer who had a passion for jazz and classical music. This exposure to diverse musical styles from an early age would later influence Stewart's eclectic approach to composition and performance. He began playing drums at the age of 5, and by his teenage years, he was already performing with various local bands.

Copeland attended Dartmouth College in New Hampshire but dropped out after two years to pursue a career in music. In the late 1970s, he moved to London where he became part of the vibrant punk rock scene, playing with various groups before eventually joining The Police in 1977.

Major Accomplishments


As the drummer and primary composer for The Police, Stewart Copeland co-authored many hit songs that reflected his eclectic musical influences. These include "Roxanne," "Message in a Bottle," "Don't Stand So Close to Me," and "Every Breath You Take." His innovative drumming style, characterized by polyrhythms and complex time signatures, has been widely praised.

In addition to his work with The Police, Copeland has released several solo albums and collaborated with other artists on various projects. He is also a member of the short-lived band Oysterhead, formed in 2000 along with Trey Anastasio from Phish and Les Claypool from Primus.

Notable Works or Actions


Some notable examples of Stewart's work outside The Police include his soundtrack for the film Rumble Fish (1980) and his composition for the ballet "The Garden of Earthly Delights" in 1994. He has also worked on several television theme songs, including that for the popular series Sleeper Cell, a show he co-created.

Impact and Legacy


Stewart Copeland's innovative drumming style and eclectic musical influences have had a lasting impact on the music industry. His work with The Police helped shape the sound of new wave and punk rock in the late 1970s and early 1980s, influencing countless other artists who followed in their footsteps.

Why They Are Widely Quoted or Remembered


Stewart Copeland's quotes are often sought after for his insightful perspective on creativity, innovation, and perseverance. His experiences as a musician, composer, and producer offer valuable lessons to aspiring artists looking to push beyond conventional boundaries. Through his music and interviews, he continues to inspire new generations of musicians and fans alike with his passion and dedication to the art form.

Stewart's commitment to pushing musical boundaries and exploring diverse styles has left an indelible mark on the world of music. His legacy extends far beyond The Police's iconic hits, as a true innovator whose work will continue to be studied and admired for years to come.

Quotes by Stewart Copeland

I've got Arabic music in my blood.
"
I've got Arabic music in my blood.
The great opera composers were so good at their job, that the whole genre came to be built around the concept of the composer’s vision.
"
The great opera composers were so good at their job, that the whole genre came to be built around the concept of the composer’s vision.
Don’t believe everything you see on VH1.
"
Don’t believe everything you see on VH1.
That’s the great thing about music. If you played it, it’s correct. The worst musical train wreck hurts absolutely no one. It’s all part of the show. In fact it’s how we get to the great stuff. There is no penalty for skating on the edge or throwing ourselves off the cliff. So we do.
"
That’s the great thing about music. If you played it, it’s correct. The worst musical train wreck hurts absolutely no one. It’s all part of the show. In fact it’s how we get to the great stuff. There is no penalty for skating on the edge or throwing ourselves off the cliff. So we do.
I’d rather duplicate it myself. Another of our favourite techniques.
"
I’d rather duplicate it myself. Another of our favourite techniques.
People are disappointed when they hear my American accent because they regard ‘The Police’ as an English band but I’ve clung to my American-ness all the way.
"
People are disappointed when they hear my American accent because they regard ‘The Police’ as an English band but I’ve clung to my American-ness all the way.
Drummers shouldn’t just think of themselves as drummers. If you’re going to be a musician, you should expand your horizons, compose things, and work with other instruments.
"
Drummers shouldn’t just think of themselves as drummers. If you’re going to be a musician, you should expand your horizons, compose things, and work with other instruments.
People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.
"
People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.
Don't believe everything you see on VH1.
"
Don't believe everything you see on VH1.
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
"
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
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