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Susan Glaspell: A Pioneering Playwright and Novelist


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Full Name and Common Aliases


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Susan Keating Glaspell was born on July 1, 1876, in Davenport, Iowa. She is often referred to by her married name, Susan Glaspell Shaw.

Birth and Death Dates


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July 1, 1876 - July 26, 1948

Nationality and Profession(s)


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Susan Glaspell was an American playwright, novelist, journalist, and feminist. Her work spanned multiple genres, including drama, fiction, and nonfiction.

Early Life and Background


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Glaspell grew up in a family that valued education and encouraged her to pursue her interests in writing. She attended the University of Iowa, where she developed her skills as a writer and began to explore the world of literature. After graduating, Glaspell moved to Chicago, where she worked as a journalist for several newspapers, including the _Chicago Daily News_. Her experiences as a woman in a male-dominated field would later influence her writing.

Major Accomplishments


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Glaspell's most notable achievements include:

The Glory of the Humble Stump (1901), her first play, which premiered at the Chicago Little Theatre.
Trifles (1916), a groundbreaking play that explores the lives of women in rural America and is still widely performed today.
A Jury of Her Peers (1917), a short story that critiques the justice system and was later adapted into a play.
The Verge (1921), a play that examines the tensions between men and women, as well as the changing roles of women in society.

Notable Works or Actions


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Glaspell's work often tackled complex social issues, such as women's rights, justice, and the role of women in society. Her writing was known for its:

Feminist perspective: Glaspell's work challenged traditional notions of femininity and masculinity.
Realism: She drew on her own experiences as a woman in a male-dominated world to create authentic characters and stories.
Experimentation: Glaspell was not afraid to push boundaries and try new things, whether it was through her writing style or the themes she explored.

Impact and Legacy


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Susan Glaspell's impact on American literature is undeniable. Her work:

Paved the way for future generations of women writers: Glaspell's pioneering spirit and willingness to tackle tough subjects inspired many other women to pursue careers in writing.
Challenged societal norms: Through her writing, Glaspell helped to bring about change by highlighting the injustices faced by women and marginalized groups.
Continues to be relevant today: Her work remains widely read and performed, a testament to its enduring power and relevance.

Why They Are Widely Quoted or Remembered


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Susan Glaspell's quotes and writings continue to inspire readers and writers around the world. She is remembered for her:

Insight into the human condition: Glaspell's writing offers a nuanced understanding of the complexities of human relationships and the social issues that shape our lives.
Fierce commitment to justice: Her work serves as a reminder of the importance of standing up against injustice and fighting for what is right.
* Legacy as a trailblazer: Glaspell's pioneering spirit and willingness to take risks continue to inspire women and marginalized groups to pursue their goals and challenge societal norms.

Quotes by Susan Glaspell

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Women are used to worrying over trifles.
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That’s the worst of a war – you have to go on hearing about it so long.
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Two people do not really live together until their books become one library. You have known just how to classify your own – books you have had, some of them since you were eleven years old. Strange now to have them adapting themselves to the books of some one else – these two life-histories becoming one, two pasts uniting.
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Even though you’ve given up a past it hasn’t given you up. It comes uninvited – and sometimes half welcome.
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Some days are happy days – of themselves, as if for their own sakes. They seem to be enjoying themselves, regardless of what use may be made of them.
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I go about in the world – free, busy, happy. Among people, I have no time to think of myself.
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You’re convinced that there was nothing important here – nothing that would point to any motive. SHERIFF: Nothing here but kitchen things.
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I – I’ve never liked this place. Maybe because it’s down in a hollow and you don’t see the road.
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She – come to think of it, she was kind of like a bird herself – real sweet and pretty, but kind of timid and – fluttery.
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I wonder if she was goin’ to quilt it or just knot it?
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