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Thomas C. Foster

57quotes

Thomas C. Foster


#### Full Name and Common Aliases
Thomas C. Foster is a renowned American author, educator, and literary critic.

Birth and Death Dates


Born on August 10, 1953 (no information available regarding his death date).

Nationality and Profession(s)


Foster's nationality is American, and he has worked as an author, educator, and literary critic throughout his career.

Early Life and Background


Thomas Foster grew up in a family that valued education. His parents instilled in him a love for reading and learning from an early age. Foster developed an interest in literature during high school, which eventually led to his pursuit of higher education. He earned his Bachelor's degree in English and later went on to earn his Master's degree from the University of Chicago.

Major Accomplishments


Foster's work as a literary critic has been instrumental in shaping the way readers approach classic literature. His book, "How to Read Literature Like a Professor: A Lively and Entertaining Guide for Every Reader," has become a favorite among students and educators alike. The book offers insightful analysis of common themes, motifs, and devices used by authors throughout history.

Notable Works or Actions


Foster's writing is characterized by his ability to make complex literary concepts accessible to readers from all walks of life. His work as an educator has also been notable, with many students praising his ability to foster a love for literature in them. As a literary critic, Foster has written extensively on the works of authors such as Shakespeare, Dickens, and Austen.

Impact and Legacy


Thomas C. Foster's impact on the literary world cannot be overstated. His work has inspired countless readers to explore classic literature with renewed interest and enthusiasm. Educators have praised his ability to make complex concepts accessible to students from diverse backgrounds. As a result of his efforts, Foster has become widely recognized as an authority on literary analysis and criticism.

Why They Are Widely Quoted or Remembered


Foster's contributions to the world of literature have made him a household name among scholars and enthusiasts alike. His ability to break down complex concepts into simple, understandable language has earned him the respect and admiration of readers worldwide. As a result, his quotes and insights are frequently sought after by educators, writers, and anyone looking to deepen their understanding of classic literature.

In conclusion, Thomas C. Foster's dedication to making literature accessible to all is a testament to his enduring legacy in the world of letters. His work continues to inspire new generations of readers, writers, and scholars, ensuring that his influence will be felt for years to come.

Quotes by Thomas C. Foster

Thomas C. Foster's insights on:

Here it is: there’s only one story. There, I said it and I can’t very well take it back. There is only one story. Ever. One. It’s always been going on and it’s everywhere around us and every story you’ve ever read or heard or watched is part of it.
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Here it is: there’s only one story. There, I said it and I can’t very well take it back. There is only one story. Ever. One. It’s always been going on and it’s everywhere around us and every story you’ve ever read or heard or watched is part of it.
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T here’s no written rule anywhere that I know of stating this, no First-teenth Amendment to the Literary Constitution, but there might as well be: you get one national poet.
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T here’s no written rule anywhere that I know of stating this, no First-teenth Amendment to the Literary Constitution, but there might as well be: you get one national poet.
TC
Don’t wait for writers to be dead to be read; the living ones can use the money.
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Don’t wait for writers to be dead to be read; the living ones can use the money.
TC
Literary works are not democracies. We hold this truth to be self-evident, that all men and women are created equal. We may, but the country of Novels, Etc., doesn’t. In that faraway place, no character is created equal. One or two of them get all the breaks; the rest exist to get them to the finish line.
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Literary works are not democracies. We hold this truth to be self-evident, that all men and women are created equal. We may, but the country of Novels, Etc., doesn’t. In that faraway place, no character is created equal. One or two of them get all the breaks; the rest exist to get them to the finish line.
TC
Where readers of Murdoch can begin a new novel with a quiet confidence, opening a Burgess book is an exercise in anxiety: what the devil is he up to this time?
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Where readers of Murdoch can begin a new novel with a quiet confidence, opening a Burgess book is an exercise in anxiety: what the devil is he up to this time?
TC
What we mean when speaking of “myth” in general is story, the ability of story to explain ourselves to ourselves in ways that physics, philosophy, mathematics, chemistry – all very highly useful and informative in their own right – can’t.
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What we mean when speaking of “myth” in general is story, the ability of story to explain ourselves to ourselves in ways that physics, philosophy, mathematics, chemistry – all very highly useful and informative in their own right – can’t.
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And we feel that those characters couldn’t be anywhere but where they are, that those characters couldn’t say the things they say if they were uprooted and planted in, say, Minnesota or Scotland.
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And we feel that those characters couldn’t be anywhere but where they are, that those characters couldn’t say the things they say if they were uprooted and planted in, say, Minnesota or Scotland.
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Don’t read with your eyes.
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Don’t read with your eyes.
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The process of dehuminazing the locals was under way, and it had very little to do with veracity. The Puritan narratives would continue that process and bring the devil into the mix. At least John Smith didn’t think Satan was involved.
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The process of dehuminazing the locals was under way, and it had very little to do with veracity. The Puritan narratives would continue that process and bring the devil into the mix. At least John Smith didn’t think Satan was involved.
TC
We sometimes hear of the death of literature or of this or that genre, but literature doesn’t die, just as it doesn’t ‘progress’ or ‘decay.’ It expands, it increases. When we feel that it has become stagnant or stale, that usually just means we ourselves are not paying sufficient attention.
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We sometimes hear of the death of literature or of this or that genre, but literature doesn’t die, just as it doesn’t ‘progress’ or ‘decay.’ It expands, it increases. When we feel that it has become stagnant or stale, that usually just means we ourselves are not paying sufficient attention.
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