Tim Rice
Tim Rice
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Full Name and Common Aliases
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Sir Tim Richard Rice is a renowned British lyricist, composer, and author, best known for his work on iconic musicals such as Jesus Christ Superstar, Evita, and The Lion King. He was knighted in 1998 by Queen Elizabeth II for his services to the performing arts.
Birth and Death Dates
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Tim Rice was born on November 10, 1944, in Brighton, East Sussex, England. Fortunately, he is still alive today, allowing him to continue making significant contributions to the world of music and theater.
Nationality and Profession(s)
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Nationality: British
Profession(s): Lyricist, composer, author
Early Life and Background
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Rice grew up in a middle-class family in Chudleigh Knighton, Devon. His love for music and writing began at an early age, with him often creating lyrics to songs he heard on the radio. After completing his education at Magdalen College School in Oxford, Rice attended the London Academy of Music and Dramatic Art (LAMDA), where he studied drama.
Major Accomplishments
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Rice's career spans over five decades, during which he has collaborated with some of the most renowned figures in music and theater. Some of his notable achievements include:
Winning two Academy Awards for Best Original Song for You Must Love Me from _Evita_ (1996) and Can You Feel the Love Tonight from _The Lion King_ (1994)
Being awarded a Grammy Award for Best Musical Show Album for _Jesus Christ Superstar_ (1970)
Receiving a knighthood in 1998 for his services to the performing artsNotable Works or Actions
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Some of Rice's most notable works include:
Jesus Christ Superstar (1969) - a rock opera that tells the story of Jesus' final days, with music by Andrew Lloyd Webber
Evita (1976) - a musical about the life of Argentine politician Eva Perón, with music by Andrew Lloyd Webber
The Lion King (1997) - a musical inspired by Disney's animated film of the same name, with music by Elton John
Impact and Legacy
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Rice's impact on the world of music and theater is immeasurable. He has inspired generations of songwriters and composers with his innovative approach to storytelling through lyrics. His work continues to be performed and admired around the world, cementing his place as one of the most influential figures in musical theater.
Why They Are Widely Quoted or Remembered
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Rice is widely quoted and remembered for his thought-provoking and often provocative lyrics, which have tackled complex themes such as faith, politics, and social justice. His ability to craft memorable melodies and poignant stories has made him a beloved figure in the world of music and theater. As a testament to his enduring legacy, Rice's work continues to inspire new generations of artists and audiences alike.
In conclusion, Sir Tim Richard Rice is a true legend in the world of musical theater, with a career spanning over five decades and an impact that will be felt for years to come. His innovative approach to storytelling through lyrics has inspired countless artists, and his work continues to be performed and admired around the world.
Quotes by Tim Rice
I think Barry Gibb would be a wonderful person to work with. Because he just writes good tunes.
He's a very natural chap. The public David Essex is the same as the private one. He's laid-back, charming, funny. There's no side to him.
If you now have 20 previews, you will regard 19 of them as super-rehearsals, which is fine, except you are being watched by thousands. I remember suggesting on more than one show over the years, 'Let's not have any previews.' But no one agreed with me. If you could do that, however, it would be a great gimmick - no previews, just opening night.
I am sure if you went back to the days of 'My Fair Lady,' they would have had one public dress rehearsal, and that is it. And in a way, I would like to go back to that.
Two songs I like are 'High Flying Adored' and 'Another Suitcase Another Hall,' both from 'Evita.'
There was so much on 'Superstar' that we didn't intend. I mean, there were things that we did which were innovative, but some of them were forced on us because we couldn't get anybody to do the show. 'Evita' was much more sophisticated. That doesn't make it better, but it does make it different. We knew what we were doing.
I always think 'Pity the Child' is a goodie. And I've always liked a song called 'Heaven Help My Heart,' which is quite a corny number.