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Tobias Lindholm


Full Name and Common Aliases


Tobias Lindholm is a Danish writer and screenwriter known by his pen name.

Birth and Death Dates


Tobias Lindholm was born on October 21, 1977. Unfortunately, there is no record of him passing away.

Nationality and Profession(s)


Lindholm is a Danish national and has worked as a writer and screenwriter in the film industry.

Early Life and Background


Growing up in Denmark, Lindholm developed an interest in storytelling from a young age. He began writing scripts while attending high school and continued to hone his craft throughout his early twenties.

Major Accomplishments


Lindholm's breakthrough came with his 2010 film A War, which premiered at the Cannes Film Festival. The movie received critical acclaim for its portrayal of the human cost of war. Additionally, Lindholm co-wrote The Hunt (2012), a drama that won several international awards.

Notable Works or Actions


Some of Lindholm's notable works include:

A War (2015) - a war drama film that showcases his ability to craft compelling narratives.
Rogue One: A Star Wars Story (2016) - Lindholm co-wrote this science fiction film, which received widespread acclaim for its storytelling and action sequences.

Impact and Legacy


Lindholm's contributions to the world of cinema have been significant. His work often explores complex themes such as war, identity, and human relationships. By shedding light on these topics through his writing, he has made a lasting impact on audiences worldwide.

Why They Are Widely Quoted or Remembered


Tobias Lindholm is widely quoted or remembered for his thought-provoking stories that challenge viewers to reflect on their own values and morals. His ability to craft compelling narratives has earned him recognition within the film industry, making him a respected voice in contemporary cinema.

Quotes by Tobias Lindholm

I love to work with friends.
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I love to work with friends.
Denmark is a country built on a commercial fleet. That's basically what we have been doing. We're just a small country of islands, and every family has a sailor. So, in many ways, my father was a sailor before I was born.
"
Denmark is a country built on a commercial fleet. That's basically what we have been doing. We're just a small country of islands, and every family has a sailor. So, in many ways, my father was a sailor before I was born.
Sometimes it seems like if you open up the door to reality and invite it in, it will just come flowing.
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Sometimes it seems like if you open up the door to reality and invite it in, it will just come flowing.
It seems like as soon as you have written something, it dictates a story. So I need to be careful.
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It seems like as soon as you have written something, it dictates a story. So I need to be careful.
Everybody can write a beginning and an ending, but to actually define that middle point where everything will go from professional to person, where everything will change, is always the hardest part, because it can very easily be too constructed, too artificial.
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Everybody can write a beginning and an ending, but to actually define that middle point where everything will go from professional to person, where everything will change, is always the hardest part, because it can very easily be too constructed, too artificial.
I never thought about writing the part where the pirates get on board the ship. I wasn't interested in that. I'm not an action director. I'm sure that other guys could do it a lot better. I couldn't put my heart into it.
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I never thought about writing the part where the pirates get on board the ship. I wasn't interested in that. I'm not an action director. I'm sure that other guys could do it a lot better. I couldn't put my heart into it.
The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
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The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
In real life, we're not walking around waiting for something to happen. We live our lives, and then suddenly we fall in love with somebody, and it's a big mess because you have a wife already, and it's going to destroy your life. And, at the same time, it's beautiful. Often, in films, it's not like that.
"
In real life, we're not walking around waiting for something to happen. We live our lives, and then suddenly we fall in love with somebody, and it's a big mess because you have a wife already, and it's going to destroy your life. And, at the same time, it's beautiful. Often, in films, it's not like that.
No doubt there is a Scandinavian wave. I guess everybody is just surfing their wave until it breaks and hoping it won't be too soon.
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No doubt there is a Scandinavian wave. I guess everybody is just surfing their wave until it breaks and hoping it won't be too soon.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
"
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
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