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Tracy Letts
69quotes
Full Name and Common Aliases
Tracy Letts is an American playwright, novelist, and actor.
Birth and Death Dates
Born on July 4, 1965.
Nationality and Profession(s)
American playwright, novelist, and actor.
Early Life and Background
Tracy Letts was born in Tulsa, Oklahoma, to Mary Armstrong and Fred Letts. His father was a psychiatrist, and his mother was a social worker. Letts grew up in a family that valued the arts, with his parents encouraging his interest in theater from an early age. He attended Cornell University, where he studied drama and English literature. After college, Letts moved to Chicago, where he began working as an actor and playwright.
Major Accomplishments
Tracy Letts' breakthrough play, _Man from Nebraska_, premiered at Steppenwolf Theatre Company in 2003. The play's success led to the 2008 Broadway production of _August: Osage County_, which earned him a Tony Award for Best Play. In addition to his work as a playwright, Letts is also known for his novel, _Mary Jane_ (2016), and his acting roles in films like _Killer Joe_ (2011) and _Dallas Buyers Club_ (2013).
Notable Works or Actions
Letts' plays often explore themes of family, trauma, and the American Midwest. In addition to _August: Osage County_, other notable works include _Man from Nebraska_ and _Who's Afraid of Virginia Woolf?_ (2005). Letts has also written for television, including the HBO series _The Knick_.
Impact and Legacy
Tracy Letts' work has been praised for its complex characters, nuanced exploration of American life, and innovative use of language. His plays have been produced on Broadway and in theaters around the world, earning numerous awards and nominations. As an actor, Letts has brought depth and nuance to his roles in film and theater.
Why They Are Widely Quoted or Remembered
Tracy Letts is widely quoted and remembered for his insightful exploration of the human condition through his writing and acting. His ability to craft complex characters and stories that resonate with audiences has made him a leading figure in American theater.
Quotes by Tracy Letts
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Now think of it this way: which do you think would be better for Dottie, havin’ ten thousand dollars so maybe she could go to that Amazon school, or havin’ a beat-up, old, ugly, naggy, alcoholic.
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I’m kind of perverse in that I think pessimism is helpful. My pessimism is my own kind of patriotism. My dissent.
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BILL: Please, sweetheart, we need to know what went on here. JEAN: Nothing “went on.” Can we just not make a federal case out of everything?
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I’m aware that a film is different than a play, and that a film isn’t going to be the filmed record of the play. It’s its own separate entity, and I’ve come to peace with that.
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JOHNNA: What pills does she take? BEVERLY: Valium. Vicodin. Darvon, Darvocet. Percodan, Percocet. Xanax for fun. OxyContin in a pinch. Some Black Mollies once, just to make sure I was still paying attention. And of course Dilaudid. I shouldn’t forget Dilaudid.
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You’re thoughtful, Barbara, but you’re not open. You’re passionate, but you’re hard. You’re a good, decent, funny, wonderful woman, and I love you, but you’re a pain in the ass.
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My point is, it’s not cut and dried, black and white, good and bad. It lives where everything lives: somewhere in the middle. Where everything lives, where all the rest of us live, everyone but you.
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