valter hugo mãe
Valter Hugo Mãe
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Full Name and Common Aliases
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Valter Hugo Mãe is a renowned Brazilian poet, novelist, and essayist.
Birth and Death Dates
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Born: January 17, 1930
Died: December 13, 1999
Nationality and Profession(s)
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Mãe was a Brazilian national and worked as a poet, novelist, and essayist throughout his career.
Early Life and Background
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Valter Hugo Mãe was born in Rio de Janeiro, Brazil. His early life was marked by a strong passion for literature and poetry. He began writing at an young age and was heavily influenced by the works of Brazilian Modernism and the Parnassian movement.
Mãe's background is significant to understanding his work. Growing up in a middle-class family in Rio de Janeiro, he experienced firsthand the social and cultural changes that were taking place in Brazil during the 20th century. His experiences with identity, class, and culture had a profound impact on his writing.
Major Accomplishments
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Mãe's accomplishments are numerous and significant. He is considered one of the most important Brazilian poets of the 20th century. His poetry collection "O Livro dos Versos" (The Book of Verses) is widely regarded as a masterpiece of Brazilian literature.
In addition to his work in poetry, Mãe also made significant contributions to the fields of novel and essay writing. His novels are known for their rich descriptions of everyday life and their exploration of themes such as identity, class, and culture.
Notable Works or Actions
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Mãe's most notable works include:
"O Livro dos Versos" (The Book of Verses): A collection of poetry that explores the intersection of politics and art.
"Os Anais do Insólito" (The Annals of the Unusual): A novel that examines the lives of working-class people in Brazil.
* "A Vida em Perguntas e Respostas" (Life in Questions and Answers): A collection of essays that explores themes such as identity, class, and culture.
Impact and Legacy
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Mãe's impact on Brazilian literature is undeniable. His work has been widely studied and admired for its innovative use of language and form. He was a key figure in the development of the "Brazilian New Poetry" movement and his influence can still be felt today.
His legacy extends beyond Brazil as well. His work has been translated into numerous languages and he has gained international recognition as one of the most important poets of the 20th century.
Why They Are Widely Quoted or Remembered
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Mãe is widely quoted and remembered for his insightful commentary on Brazilian society and culture. His poetry and essays offer a unique perspective on the lives of working-class people in Brazil during the mid-20th century.
His work continues to be relevant today as it explores themes such as identity, class, and culture that are still pertinent in contemporary Brazil. His innovative use of language and form has influenced generations of poets and writers.
In conclusion, Valter Hugo Mãe was a truly remarkable individual who left an indelible mark on Brazilian literature.
Quotes by valter hugo mãe
somos um país de cidadãos não praticantes. ainda somos um país de gente que se abstém. como os que dizem que são católicos mas não fazem nada do que um católico tem para fazer, não comungam, não rezam e não param de pecar.
no íngreme da ladeira as casas arregaçam-se, como pedras húmidassem destino de secarem. parecemsubir pé ante pé degraus largos defugir ao rio, levantam a bainha à saia,são cuidadas. (..)
Num abraço, pensava, as pessoas deixavam de se poder ver. Como se, num abraço, fosse indiferente quem estava mas importasse apenas a convicção com que era dado.
(...)não há mãe alguma que não mereça o céu, porque, em verdade, as mães transportam o céu dentro delas(...)
começou por nos explicar que distinguia muito bem entre a igreja e a fé. achava que a igreja era uma máfia de interesses. o silva da europa interrompia-o e dizia, uns filhos da mãe, a igreja é uma instituição pançuda que se deixou confortavelmente sentada ao lado de salazar. como sempre, dizia anísio, sempre do lado dos opressores porque toda a lógica da igreja é opressora, não conhecem outra linguagem.
Queria proteger contra o esquecimento. A maior vulnerabilidade do humano, a contingência de não lembrar e de não ser lembrado.
A beleza da lagoa é sempre alguém. Porque a beleza da lagoa só acontece porque a posso partilhar. Se não houver ninguém, nem a necessidade de encontrar a beleza existe nem a lagoa será bela. A beleza é sempre alguém, no sentido em que ela se concretiza apenas pela expectativa da reunião com o outro.
a partir de então seríamos ainda mais velhos a entrar na senilidade, uns babões sem interesse nem valor especial. apenas um amontoado de ossos moles que ia aguentando o tempo sem nenhum glória particular.
Talvez por isso o ódio deixasse de ter sentido. Porque o que viria a ser dependia do que decidisse. Os sentimentos educados, lembrei, os sentimentos educados fazem caber em outras classificações o que nos frustra ou irrita, o que nos agride e mesmo o que nos pode combater até à morte.