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Vikram Chandra
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Full Name and Common Aliases


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Vikram Chandra is a renowned Indian author, journalist, and television producer who has also been active in film production.

Birth and Death Dates


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Born on August 22, 1965, Vikram Chandra is still alive and actively involved in various creative pursuits.

Nationality and Profession(s)


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Indian, Author, Journalist, Television Producer, Film Producer

As a multifaceted individual, Vikram Chandra has navigated various roles across the creative spectrum. His work spans multiple platforms, including television, film, and literature.

Early Life and Background


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Growing up in New Delhi, India, Vikram Chandra was exposed to diverse cultural influences from an early age. This exposure likely had a significant impact on his writing style and thematic choices in his works.

Chandra's family background is that of a well-respected intellectual household. His father, Ved Mehta, is a renowned author known for his non-fiction works on India and its culture. It can be inferred that this familial context played a substantial role in shaping Chandra's interest in writing and storytelling.

Major Accomplishments


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Throughout his career, Vikram Chandra has achieved numerous milestones:

Literary Works: He is the author of several novels and short stories, including "Sacred Games," which was adapted into a successful Netflix series.
Journalism: Chandra began his professional journey as a journalist, working for prominent publications such as The Indian Express and The New York Times.
Television Production: He co-founded the production company Sacred Cow Films, which has produced several notable television shows.

Notable Works or Actions


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Some of Vikram Chandra's most notable works include:

"Sacred Games": This novel is a gritty and engaging portrayal of contemporary India. It was adapted into a critically acclaimed Netflix series in 2018.
* "Love and Longing in Bombay": A collection of short stories that offer a poignant glimpse into the lives of ordinary Indians.

Impact and Legacy


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Vikram Chandra's work has made a significant impact on contemporary Indian literature. His ability to weave together elements of history, culture, and politics creates narratives that are both deeply personal and universally relatable.

Chandra's contributions extend beyond his literary works. He has also been instrumental in shaping the landscape of Indian television with his innovative production company.

Why They Are Widely Quoted or Remembered


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Vikram Chandra is widely quoted and remembered due to his thought-provoking and evocative writings, as well as his influential work behind the scenes in film and television. His unique perspective on India's complexities has resonated with audiences worldwide.

Through his multifaceted career, Vikram Chandra continues to inspire readers and viewers alike with his masterful storytelling and dedication to exploring the depths of human experience.

Quotes by Vikram Chandra

We may read the same texts, but the dhvani that manifests within you will be unique. Your beauty will be your own. If you re-read a story that you read 10 years ago, its dhvani within you will be new. Poetr’s beauty is infinite.
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We may read the same texts, but the dhvani that manifests within you will be unique. Your beauty will be your own. If you re-read a story that you read 10 years ago, its dhvani within you will be new. Poetr’s beauty is infinite.
People had stances, they threw out opinions, they made ferocious noises, but decisions were often made in a flurry of competing silences, and what was not said mattered more than what was.
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People had stances, they threw out opinions, they made ferocious noises, but decisions were often made in a flurry of competing silences, and what was not said mattered more than what was.
Let us change our traditional attitude to the construction of programs: Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do.
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Let us change our traditional attitude to the construction of programs: Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do.
I was writing fiction steadily, but I found that the stark determinisms of code were a welcome relief from the ambiguities of literary narrative.
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I was writing fiction steadily, but I found that the stark determinisms of code were a welcome relief from the ambiguities of literary narrative.
So now that began to develop into a full-fledged shouting match of its own, and all in all it was soon a full-scale old-style Bombay tamasha, with people watching from every balcony and window in every building, up and down the road, laughing and giving advice and yelling at each other.
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So now that began to develop into a full-fledged shouting match of its own, and all in all it was soon a full-scale old-style Bombay tamasha, with people watching from every balcony and window in every building, up and down the road, laughing and giving advice and yelling at each other.
When you’re a writer, sometimes you have to spend time poking at a part of yourself that normal, sane people leave alone.
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When you’re a writer, sometimes you have to spend time poking at a part of yourself that normal, sane people leave alone.
The world is a story we tell ourselves about the world.
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The world is a story we tell ourselves about the world.
Then what in your opinion is a good story?''What it's always been, monkey,' Ganesha said. 'One dhansu conflict. Some chaka-chak song and dance. Grief. Love. Love for the lover, love for the mother. Love for the land. Comedy. Terror. One tremendous villain whom we must love also. All the elements properly balanced and mixed together, item after item, like a perfect meal with a dance of tastes. There you have it.
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Then what in your opinion is a good story?''What it's always been, monkey,' Ganesha said. 'One dhansu conflict. Some chaka-chak song and dance. Grief. Love. Love for the lover, love for the mother. Love for the land. Comedy. Terror. One tremendous villain whom we must love also. All the elements properly balanced and mixed together, item after item, like a perfect meal with a dance of tastes. There you have it.
What could my mother beto yours? What kin is my fatherto yours anyway? And howdid you and I meet ever?But in loveour hearts have mingledlike red earth and pouring rain.
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What could my mother beto yours? What kin is my fatherto yours anyway? And howdid you and I meet ever?But in loveour hearts have mingledlike red earth and pouring rain.
The future is simple. The future is simple, I can hold it i the palm of my hand; and the present is just a matter of endurance, detachment, and a sense of humor.
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The future is simple. The future is simple, I can hold it i the palm of my hand; and the present is just a matter of endurance, detachment, and a sense of humor.
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