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Zeyn Joukhadar


Full Name and Common Aliases

Zeyn Joukhadar is a poet, novelist, and short story writer known by his given name.

Birth and Death Dates

Born in 1990 in the United States of America. As he is still alive, we do not have information about his death date yet.

Nationality and Profession(s)

Joukhadar holds American nationality and is a poet and novelist.

Early Life and Background


Zeyn Joukhadar grew up in New Jersey, where he spent most of his childhood. His early exposure to poetry came from his mother, who was an avid reader and encouraged him to explore the world of literature. Joukhadar's interest in writing poetry began at a young age, and he started writing seriously during his teenage years.

Major Accomplishments


Joukhadar is known for his critically acclaimed novel The Pupil, which explores themes of identity, love, and belonging through the eyes of a Syrian immigrant boy. The book received praise from various literary critics and publications, including Kirkus Reviews and Publishers Weekly. In addition to his work as a novelist, Joukhadar is also an accomplished poet, with several collections published or forthcoming.

Notable Works or Actions


Joukhadar's writing has been featured in various literary journals and anthologies, including the Journal of Arab American Studies, The Common, and Crab Orchard Review. He has also received recognition for his teaching work at Rutgers University-Newark, where he serves as an associate professor of English.

Impact and Legacy


Joukhadar's writing often explores themes of identity, culture, and belonging in the context of immigrant experiences. His work provides a unique perspective on the complexities of human relationships and the search for self within diverse cultural backgrounds. Through his novels and poetry, Joukhadar has made significant contributions to contemporary American literature.

Why They Are Widely Quoted or Remembered

Joukhadar's writing is widely quoted and remembered due to its lyrical prose, nuanced exploration of complex themes, and authentic portrayal of immigrant experiences. His work often challenges readers' perspectives on identity, love, and belonging, sparking important conversations about the role of literature in reflecting and shaping our understanding of the world.

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The quotes from Zeyn Joukhadar's works are not included here as we only focus on his biography.

Quotes by Zeyn Joukhadar

Zeyn Joukhadar's insights on:

Maybe it’s true that we become what we love most, that we exalt the nameless by losing ourselves in it.
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Maybe it’s true that we become what we love most, that we exalt the nameless by losing ourselves in it.
Mama used to say stories were how Baba made sense of things. He had to untangle the world’s knots, she said. Now, thirty thousand feet above him, I am trying to untangle the knot he left in me. He said one day I’d tell our story back to him. But my words are wild country, and I don’t have a map.
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Mama used to say stories were how Baba made sense of things. He had to untangle the world’s knots, she said. Now, thirty thousand feet above him, I am trying to untangle the knot he left in me. He said one day I’d tell our story back to him. But my words are wild country, and I don’t have a map.
But Baba used to say you should pray the most when you can’t see the good in the world. And I know I should say a prayer because, after all, God is God, and today is a day we should thank him. So I try to remember the prayers Baba used to whisper in our old apartment, and the prayers Mama said when she took me to Mass, and then I add my own because I know that God listens, even if you don’t get the words exactly right.
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But Baba used to say you should pray the most when you can’t see the good in the world. And I know I should say a prayer because, after all, God is God, and today is a day we should thank him. So I try to remember the prayers Baba used to whisper in our old apartment, and the prayers Mama said when she took me to Mass, and then I add my own because I know that God listens, even if you don’t get the words exactly right.
We face each other, two candles flickering. Sami’s sweat smells of chamomile and musk. When we dance, I am a bird shaking loose the night from its wings. I kiss him, my hand behind his jaw, his hands in my hair. He gasps into my mouth and goes soft as water, our bodies molten glass that I am shaping with my kiss, and I wonder if it’s true that there is nothing on this earth that is not born of the sweet ache of flame.
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We face each other, two candles flickering. Sami’s sweat smells of chamomile and musk. When we dance, I am a bird shaking loose the night from its wings. I kiss him, my hand behind his jaw, his hands in my hair. He gasps into my mouth and goes soft as water, our bodies molten glass that I am shaping with my kiss, and I wonder if it’s true that there is nothing on this earth that is not born of the sweet ache of flame.
We rarely know,′ Khaldun said, ‘when we try to do good, if the outcomes of our actions will actually be good.’ He laughed to himself. ‘Perhaps God plans it that way, to teach us the the planning is best left to him.
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We rarely know,′ Khaldun said, ‘when we try to do good, if the outcomes of our actions will actually be good.’ He laughed to himself. ‘Perhaps God plans it that way, to teach us the the planning is best left to him.
To the night, I am a body without a past or a future, a pillar that bends light. The night doesn’t know my name.
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To the night, I am a body without a past or a future, a pillar that bends light. The night doesn’t know my name.
I listen to them talk in a language I’ve never heard before. I don’t have to understand everything. The blue-violet voices wind around me, protecting me from my fear. I am covered with a think rind of safety, like an orange.
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I listen to them talk in a language I’ve never heard before. I don’t have to understand everything. The blue-violet voices wind around me, protecting me from my fear. I am covered with a think rind of safety, like an orange.
Nobody can love the stars and hurt people. They just can’t.
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Nobody can love the stars and hurt people. They just can’t.
I think to myself, It is terrifying to be visible, and then I think, I have been waiting all my life to be seen.
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I think to myself, It is terrifying to be visible, and then I think, I have been waiting all my life to be seen.
That wondrous journey fixed in my mind the idea of a wide world, full of dangers and beautiful things. I loved that world, in spite of its crushing vastness. I loved it in spite of the terrible weight of its hope.” An oasis with a fortified outpost appeared.
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That wondrous journey fixed in my mind the idea of a wide world, full of dangers and beautiful things. I loved that world, in spite of its crushing vastness. I loved it in spite of the terrible weight of its hope.” An oasis with a fortified outpost appeared.
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